The crew of an oceanic research vessel goes missing in the Pacific along with their mini-submarine. An evangelical media star holds a rally next door to a convention in LA devoted to 'nubile' cinematic entertainment. The cops know there's going to be trouble and they are not disappointed. What they didn't foresee was the presence in their state of a Glaswegian photographer with an indecipherable accent and a strong dislike of hypocrisy, or of a terrorist who seems to have access to plutonium as well as Semtex. In his unique style, Christopher Brookmyre throws a harsh light on the selfish preoccupations of 1990s society and at the same time provides uproarious entertainment.
British author Brookmyre (One Fine Day in the Middle of the Night; Quite Ugly One Morning; etc.) makes his American debut with this thriller, but seems to have left most of his punch on the far side of the ocean. Scottish photographer Steff Kennedy is attending a B-list movie festival, held at an L.A. hotel, where he intends to snap some pics and joke about the self-importance of Hollywood. There he meets and makes eyes with Maddy Witherson, a sweet, misunderstood porn star famous for her leading role in Whore of Babylon; itis later revealed she was sexually abused as a girl by her Bible-waving father, a U.S. senator. Meanwhile, LAPD officer Larry Freeman is investigating the mysterious disappearance of a group of scientists from an ocean research vessel. Everyone's paths cross when a conservative Christian group decides to augment its anti-Hollywood rhetoric with a well-placed bomb, which literally dumps Maddy into Steff's arms. The bombers, however, demand an even more extreme remedy Maddy's suicide on national television as an act of public repentance or they'll blow up a boat full of Hollywood executives. While it's obvious that everyone will scramble to stop the bombers, less plausible elements like a bunch of long-lost religious scrolls and lots of chatter about the impending end of the world, are distracting. Brookmyre's previous book may have achieved some success across the Atlantic, but this jumbled effort feels like it's been cobbled together from whatever trashy American TV shows are currently in British syndication.