Nothing Ever Dies
Vietnam and the Memory of War
-
- £18.99
Publisher Description
Finalist, National Book Critics Circle Award
Finalist, National Book Award in Nonfiction
A New York Times Book Review “The Year in Reading” Selection
All wars are fought twice, the first time on the battlefield, the second time in memory. From the author of the Pulitzer Prize–winning novel The Sympathizer comes a searching exploration of the conflict Americans call the Vietnam War and Vietnamese call the American War—a conflict that lives on in the collective memory of both nations.
“[A] gorgeous, multifaceted examination of the war Americans call the Vietnam War—and which Vietnamese call the American War…As a writer, [Nguyen] brings every conceivable gift—wisdom, wit, compassion, curiosity—to the impossible yet crucial work of arriving at what he calls ‘a just memory’ of this war.”
—Kate Tuttle, Los Angeles Times
“In Nothing Ever Dies, his unusually thoughtful consideration of war, self-deception and forgiveness, Viet Thanh Nguyen penetrates deeply into memories of the Vietnamese war…[An] important book, which hits hard at self-serving myths.”
—Jonathan Mirsky, Literary Review
“Ultimately, Nguyen’s lucid, arresting, and richly sourced inquiry, in the mode of Susan Sontag and W. G. Sebald, is a call for true and just stories of war and its perpetual legacy.”
—Donna Seaman, Booklist (starred review)
PUBLISHERS WEEKLY
Vietnam-born, American-raised Nguyen (The Sympathizer), an associate professor of English and American Studies at the University of Southern California, sifts through the many guises of memory and identity in this eloquent, scholarly narrative of the Vietnam War's psychological impact on combatants and civilians. The Vietnamese who fled the battlefields have little choice but to be known by the carnage that brought them to the U.S. They grapple with their own painful memories, which shadow them or get pushed aside, while their descendants try to cope with elders refusing to share their recollections. Nguyen peruses death and destruction from multiple vantage points, including the killing caves where Vietnamese civilians were annihilated by American bombers and the Vietnam Memorial in Washington, D.C. But this is primarily a work that comes to grips with memory and identity through the arts. Where literature and film have long been dominated by American works, Nguyen brilliantly introduces a pantheon of artists, including directors Dang Nhat Minh and Bui Thac Chuyen, and writers Le Ly Hayslip and Monique Truong. This is a difficult but rewarding read; Nguyen succeeds in delivering a potent critique of the war and revealing what the memories of living have meant for the identities of the next generation.
