Phew, Eh Readers? Phew, Eh Readers?

Phew, Eh Readers‪?‬

The Life and Writing of Tom Hibbert

    • 4.0 • 2 Ratings
    • £5.99
    • £5.99

Publisher Description

'Superb celebration of his life and work ... a must-read tribute' CLASSIC POP, 5/5

'The funniest and most revealing of all music journalists' - NEIL TENNANT

'A laugh riot' - CLASSIC ROCK

A Classic Pop Book of the Year
4/5 - Mojo
4/5 - Record Collector
8/10 - Uncut

Idiosyncratic.

Iconoclastic.

Acerbic.

Hilarious.

The influence of Tom Hibbert's music writing across print, radio, TV and podcasts is incomparable. From his genre-defining work at Smash Hits to his 'Who the Hell ... ?' profiles for Q magazine and beyond, this book brings together many of Hibbert's funniest writings.

Compiled by Barney Hoskyns and Jasper Murison-Bowie at Rock's Backpages, the archive of music journalism, Phew, Eh Readers? showcases some of Hibbert's greatest pieces. Presented thematically and chronologically, they highlight his marvellously eccentric perspective on life and popular culture.

Many leading writers and journalists attest to Hibbert's genius. This compendium supplements his writing with new reflections on Tom from some of his peers, colleagues and admirers, including Mark Ellen, Bob Stanley, Tom Doyle, Chris Heath, Sylvia Patterson, along with his widow Allyce.

Phew, Eh Readers? is a must-read homage to one of the most influential writers of our time, a man who left an indelible mark on our cultural landscape.

GENRE
Arts & Entertainment
RELEASED
2024
1 February
LANGUAGE
EN
English
LENGTH
384
Pages
PUBLISHER
Bonnier Books UK
SIZE
5.2
MB

Customer Reviews

Clowntrooper ,

Humorous read

Since having read and enjoyed his “Who the hell…” columns, which usually featured at the front of Q Magazine, I knew I had to read this biography. It features some of those interviews, with various celebrities that Tom gave a sense of humour in taking various swipes at; usually as asides to the reader. Also featured are interviews from earlier publications, as well as personal recollections from colleagues and friends, etc. A bit strange that when considering I bought Q for all the latest album releases, Tom Hibbert’s name is the one I remembered most. His section of a music magazine, which stopped publishing after the Covid pandemic, was the right blend of humour for an otherwise pompous publication! I thought Q was more aimed at a slightly older generation of music listener! Tom had left Q well before it ceased printing, and after that I didn’t really read anything else of his as a result. I did catch an interview he did with Tony Curtis, which I found humorous, as usual, in his witty style of simply being unfazed by stardom. That interview, like the one he did with Billy Bragg in 1991, around the time of his Don’t Try This At Home album, are not featured here; maybe because his subject, for the latter, was one of the rarer instances where he showed a modicum of respect to! Cheers, Tom, and all who remembered him for this book.