Piazza Carignano
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- £6.49
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- £6.49
Publisher Description
Un libro affascinante, inquietante, che scava nell'animo e nei sentimenti dei personaggi. Due storie d'amore che si alimentano una dell'altra.
I personaggi: Alberto Claudio, un intellettuale disimpegnato e indifferente, tornato a Torino per assistere, come in un film, alla morte della madre; Thusis, una ragazza appena intravista in una cabina telefonica (un'ideale interprete del suo prossimo romanzo o un grande amore?); un vecchio zio, il barone Tullio Treves, ebreo, omosessuale e fascista scomparso nel buio della guerra civile; Céleste, nazista e perversa, la sua ultima travolgente passione in una Torino sotto i bombardamenti del 1943.
La scena: una soffitta di Piazza Carignano, insolito luogo scelto dai due giovani protagonisti per il loro sfuggente amore, che diventa palcoscenico per far rivivere i fantasmi di Tullio e Céleste.
Ne nasce un mirabile gioco di scatole cinesi in cui presente e passato si incontrano, si fondono, si confondono.
PUBLISHERS WEEKLY
A bestseller in Europe, this novel may be intriguing to some, distasteful to others. It is a tale of sexual and moral decadence, of a "boundless malaise'' infecting two pairs of lovers. The narrator, Alberto Claudio, is a 29-year-old novelist who interrupts his indolent lifestyle in London to return to the family home near Turin, where his mother is dying. While there, he meets a beautiful young ballet student, Thusis, and rents a room in the piazza Carignano where they can abandon themselves to erotic pleasures. The somewhat desultory narrative takes on dramatic energy when it is revealed that Alberto Claudio's granduncle and Thusis's grandaunt had been lovers during WW II. The novelist discovers Tullio's diary, and begins to unravel the mystery of what happened to Tullio and to his mistress, Celeste. The scion of a prominent Jewish family, Tullio had been a rabid Fascist and anti-Semite, a self-deluded idolizer of Mussolini even after the racial laws had deprived him of his civil rights and his livelihood. Though he was a homosexual, he and Celeste had engaged in a delirium of eroticism that may have led to betrayal or suicide. Whether the lovers were idealists or monsters is left ambiguous, as is their eventual fate. The novel's interest lies in Elkann's skillful depiction of the sensuality and self-indulgence of his central characters, who are symbolic of the periods of history in which they live.
