Pro Audio Mastering Made Easy: Give Your Mix a Commercial Sounding Finish Without Buying More Gear

Most people don't have access to racks of high end mastering equipment, you're probably one of them. With the growing popularity of websites like SoundCloud and YouTube, having the skills to do a decent job of your own audio mastering is becoming increasingly more important. Many artists/producers simply can't afford to pay an audio mastering service to do their mastering every single time they'd like to upload a new track for their fans to check out.
This book explains and demonstrates how to achieve a commercial sounding finish using software found in any typical home/project studio. You may wonder if that's possible but I know it can be done. I started an audio mastering business using nothing more than standard plugins and clever techniques. Customers loved my work and kept coming back. Over time as my business built up, I was able to buy more expensive equipment, but I still stick to the original techniques that I know will get a commercial sound, no matter what tools are used. Here's why:
About the first 90% of getting that commercial sound is technique. The final 10% is the tools you use. So before you go and buy the most expensive compressor and EQ, it's a lot more financially worthwhile to instead invest some 'time' rather than money into learning the techniques used to get a commercial sounding finish. It can be done with what you already possess.

Is this book for you?

1.50,000+ words containing hot topics like how to get it REALLY loud and still sound spacious and dynamic.

2.Reveals how a mix should sound to produce a commercial volume and radio quality master.

3.Explains how psychoacoustic manipulation can be used to spread sound all around the listener.

4.Written by an experienced mastering engineer who has made a living by using these clever mastering techniques.

5.30 day money back guarantee.

Purchase this book now to discover what techniques are used to make a master sound bigger than the space that exists between the speakers.

David Eley