Proust's Way
A Field Guide to In Search of Lost Time
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1.0 • 1 Rating
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- £9.99
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- £9.99
Publisher Description
"Shattuck leaves us not only with a deepened appreciation of Proust's great work but of all great literature as well."—Richard Bernstein, New York Times
For any reader who has been humbled by the language, the density, or the sheer weight of Marcel Proust's In Search of Lost Time, Roger Shattuck is a godsend. Winner of the National Book Award for Marcel Proust, a sweeping examination of Proust's life and works, Shattuck now offers a useful and eminently readable guidebook to Proust's epic masterpiece, and a contemplation of memory and consciousness throughout great literature. Here, Shattuck laments Proust's defenselessness against zealous editors, praises some translations, and presents Proust as a novelist whose philosophical gifts were matched only by his irrepressible comic sense. Proust's Way, the culmination of a lifetime of scholarship, will serve as the next generation's guide to one of the world's finest writers of fiction.
PUBLISHERS WEEKLY
Cobbling together commentary, instruction and practical advice, this grab-bag of a guide attempts to fill a gap in the vast library of Proust literature, with mixed results. Eminent scholar Shattuck (author of Proust's Binoculars and the National Book Award-winning Marcel Proust) eschews the personal approach favored by Alain de Botton and Phyllis Rose in their popular memoir-appreciations, but he does not limit himself to scholarly analysis, either, producing instead a kind of sophisticated Cliff Notes. The guide begins with a helpful overview of the novel and a chapter answering basic questions: in what language should one read Proust? (In French, if at all possible.) Is it absolutely necessary to read all 3,000 pages? (It is not--and Shattuck supplies an abridged reading plan in a footnote.) Moving on to a discussion of narrative strategies and themes, Shattuck urges an appreciation of Proust's often-overlooked comic sensibility and examines the author's more familiar preoccupations like time, memory and art. Most enlightening is his complex explication of the double "I" Proust employs: the gap between young Marcel and his older incarnation, the Narrator, creates what Shattuck terms a "stereopticon effect," by means of which the novel springs to four-dimensional life. A fascinating if polemical second-to-last chapter weighs in on ongoing debates in the world of Proust scholarship, judges the various French and English editions of the novel and examines its film versions. Although much of the guide is genuinely illuminating, the best material will be familiar to readers of Shattuck's previous works (he acknowledges his borrowings in his introduction), and some of the new sections--particularly an experimental "Coda," a fictional radio interview with a Proust scholar--strain for effect.
