Scottsboro
Picador Classic
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- £4.99
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- £4.99
Publisher Description
A novel inspired by the shocking true story of the Scottsboro boys, whose legacy has shaped the course of modern American history. Even after all these years, the injustice still stuns. Innocent boys sentenced to die, not for a crime they did not commit, but for a crime that never occurred. Lives splintered as casually as wood being hacked for kindling. Alabama, 1931. A freight train is stopped in Scottsboro, nine black youths are brutally arrested and, within minutes, the cry of rape goes up from two white girls. In the shocking aftermath, one sticks to her story whilst the other keeps changing her mind, and an impassioned young journalist must try to save nine boys from the electric chair, one girl from a lie and herself from the clutches of the past . . . Stirring racism, sexism and the politics of a divided America into an explosive brew, Scottsboro gives voice to the victims - black and white - of this infamous case. Shortlisted for the Orange Prize for Fiction in 2009, it charts a fight for justice during the burgeoning civil-rights movement.
PUBLISHERS WEEKLY
Set in 1931's Jim Crow South, Feldman's dramatization of the infamous Scottsboro case makes for bleak, if familiar, reading. Alice Whittier, an ambitious, crusading journalist at the left-wing New York City publication The New Order, covers the arrest of nine young African-American men in Scottsboro, Ala., for the alleged rapes of two white prostitutes. Four days later, the Alabama courts have tried and sentenced eight to die. With a keen sense of drama, Feldman follows the story as worldwide indignation grows, and the case bogs down in appeals and retrials before an eventual hearing by the U.S. Supreme Court. Through it all, Alice, the only woman journalist on the story, reports the events in gruesome detail, conducts her trust-funded life and quiets some rattling family skeletons. She emerges as a satisfyingly fleshed-out character, as does syphilitic, guilt-ridden accuser Ruby Bates. But the best thing about the novel is the detailed, matter-of-fact way in which it recreates Alice and Ruby's milieus both of which are removed, in very different ways, from the world of the accused. What emerges is a raw sense of alienation and collision, with the novel's true protagonists mostly offscreen.
