Sight
SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2018
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3.5 • 4 Ratings
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- £2.99
Publisher Description
SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2018
LONGLISTED FOR THE WELLCOME BOOK PRIZE 2019
'A stunning debut' Guardian
In Jessie Greengrass' superb debut novel, our unnamed narrator recounts her progress to motherhood, while remembering the death of her own mother ten years before, and the childhood summers she spent with her psychoanalyst grandmother.
Woven among these personal recollections are significant events in medical history: Wilhelm Röntgen's discovery of the X-ray; Sigmund Freud's development of psychoanalysis and the work that he did with his daughter, Anna; and the origins of modern surgery and the anatomy of pregnant bodies.
Sight is a novel about being a parent and a child: what it is like to bring a person in to the world, and what it is to let one go. Exquisitely written and fiercely intelligent, it is an incisive exploration of how we see others, and how we might know ourselves.
APPLE BOOKS REVIEW
From the author: “I wanted to write something that was a semi-fictional, semi-essay-style book. I’d done all the research for the historical sections but what I didn’t have was any thread to bring them together—I didn’t have the fictional bit, basically. That came really late to the process. I was sitting in the café at the Wellcome Library, waiting for somebody who was coming to meet me, and I was suddenly like, ‘God, if the narrator was pregnant, then that ties it all up.’ And then after that—not as research, I should make clear—I had my first child. I was like, ‘Oh, I can write about this now.’ I wanted to write a book that was unashamedly female. It wasn’t about relating to anybody, it was just about a really specific experience and going through it, and not apologising for how complicated it might feel. Having children is something that sometimes it feels like you have to say that you definitely do want to do or you definitely don’t want to do. And then once you’ve made that decision, it’s either completely wonderful all the time or completely terrible all the time. And the fact that you might just feel as ambiguous about it as people do about everything else in the world—I really wanted to write that process. I studied philosophy, and I like to think about things, and I like to talk about my feelings interminably. So, I think that I put all of that in there and hoped that I wasn’t the only person in the world that thought about things that much.”
PUBLISHERS WEEKLY
Greengrass's debut novel (after the story collection An Account of the Decline of the Great Auk, According to One Who Saw It) follows an unnamed narrator as she wrestles with new motherhood, weaving her memories into a thoughtful portrait of what it is to be both a parent and a child. The novel is divided into three acts, each corresponding to a broad period in the narrator's life: her mother's death and her own grieving; childhood summers spent with her intimidating, psychoanalyst grandmother (known only as Dr. K); and her pregnancy before the birth of her first child. Each of these sequences is in turn partnered with accounts from the development of modern medicine: in the first section, it's Wilhelm R ntgen and the discovery of X-rays; the second is Sigmund and Anna Freud's development of psychoanalysis; the third is John and William Hunter pioneering the field of anatomy. Unifying the narrator and the scientists is the singular desire to look inward (literally or figuratively) and seek "the resolution of a complicated pattern into one that could be understood." Greengrass writes with precision and honesty, providing an unconventional but nuanced, meditative experience.