Someone is certain to kill Joel Backman.
The question is: who?
In his final hours in the Oval Office, the outgoing President grants a full pardon to Joel Backman, a notorious Washington power broker who has spent the last six years in a federal prison.
Unknown to an outraged public, the pardon was the CIA's idea. They claim that Backman may have obtained secrets that would compromise American satellite surveillance.
Smuggled out of the country in a military cargo plane, Backman is given a new identity and a new home in Italy. He thinks he's out. But the CIA will soon leak his whereabouts to the Israelis, the Russians, the Chinese and the Saudis, and then sit back and watch.
The question is not whether Backman will survive – there's no chance of that. The question the CIA needs answered is: who will kill him?
‘A master at the art of deft characterisation and the skilful delivery of hair-raising crescendos' – Irish Independent
'John Grisham is the master of legal fiction' – Jodi Picoult
'The best thriller writer alive' – Ken Follett
‘John Grisham has perfected the art of cooking up convincing, fast-paced thrillers’ – Telegraph
‘Grisham is a superb, instinctive storyteller’ – The Times
‘Grisham's storytelling genius reminds us that when it comes to legal drama, the master is in a league of his own.’ – Daily Record
‘Masterful – when Grisham gets in the courtroom he lets rip, drawing scenes so real they're not just alive, they're pulsating’ – Mirror
‘A giant of the thriller genre’ – TimeOut
Readers will find an amiable travelogue to Italy and its charms in Grisham's latest. What they won't find are the suspense and inspired plotting that have made the author (The Last Juror, etc.) one of the world's bestselling writers. Yet Grisham remains a smooth storyteller, and few will fail to finish this oddball tale of what happens to ruined D.C. powerbroker Joel Blackman, 52, when he's suddenly released from federal prison after six years. Teddy Maynard, legendary CIA director, has engineered the release in order to put Joel into a variant of the witness protection program and then see who kills him. Many want him dead the Saudis, the Israelis, especially the Chinese because of his role in trying to sell a global satellite spy system that would alter the world's balance of power; that was what got Joel imprisoned, and the CIA hopes that whoever kills him will clue them in to who may have access to the satellites. Joel is relocated to Bologna, and much of the narrative consists of his touring that city, its historic sights and its many restaurants, and learning Italian ways from his male handler, Luigi, and his language tutor, Francesca a middle-aged woman with whom he falls in love. A major subplot concerns Joel's secret dealings with his stateside son to prepare for escape from Bologna if necessary. Eventually, the CIA leaks Joel's whereabouts to his enemies, who dispatch killing teams. Can Joel broker his way to safety? There's some depth to the troubled relationship between Joel and his tutor, but otherwise the novel reads like a contented afterthought to a memorable Italian vacation, with little action or tension, plastic characters and plot turns that a tricycle could maneuver. Still, anyone wishing to learn how and why Bologna built its famed porticos, why to be wary of most Italian desserts and how to send an encrypted wireless message using a global cell phone will find that information cheerfully given here.
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Much more like the old Grisham, thrills, suspense and action rather than the over moralising boredom of 'The Chamber' etc....
Can't reccomend this book enough for fans of the early Grisham work and right up there with the likes of 'The Brethren' and 'The Firm' as his best work.
Thoroughly enjoyed the read and know others will too, BUY!
A history and language lesso
Not up to his usual standard. 70% of the book was a lesson in the history of Italian towns, culture and language. Little or no action. Took some finishing.
You Can’t Put it Down
For one who professes little knowledge of espionage and hi-tech electronics, Mr G has done a great job here. His portrayal of high-level skuldiggery in Wasington D C is, I suspect, not too far from reality. Add to the mix some lessons in the Italian language and history of Bologna and he seems to pull off the impossible by making it an even better read than the last. Like many books, I wish there was a little more by way of a happy ending describing the principal charachter and his Italian lady living happily ever after in an alpine lakesdie villa. Among all his other masterpieces, this one ranks among the best.