A fascinating and wonderfully readable deconstruction of the countless myths that have grown up around the Brontës.
Since 1857, hardly a year has gone by without some sort of Bronte 'biography' appearing. These range from pious accounts in Victorian conduct books to Freudian pyschobiographies, from plays, films and ballets to tourist brochures and images on tea-towels, from sensation-seeking penny-a-liners to meticulous works of sober scholarship. Each generation has rewritten the Brontes to reflect changing attitudes - towards the role of the woman writer, towards sexuality, towards the very concept of personality.
The Bronte Myth gives vigorous new life to our understanding of the novelists and their culture and Lucasta Miller reveals as much about the impossible art of biography as she does about the Brontes themselves.
WITH A NEW INTRODUCTION FROM THE AUTHOR
Even in their lifetimes, the Bronte sisters--Charlotte, Emily and Anne--were remarkable figures whose literary reputations were often shrouded in a web of myth and lies that to some degree still endures. In this volume, Miller, a literary critic and former deputy literary editor of The Independent, presents a markedly intelligent"metabiography" that sorts through these half-truths to give a fresh, original portrait of three exceptional writers. Celebrated by some of their 19th century readers as literary heroes and castigated by others as reckless and immoral, the Brontes defied conventions even as they tried to live within them:"revolutionizing the imaginative presentation of women's inner lives" even as they cultivated the social persona of"the modest spinster daughter." Miller traces the trajectory of their careers, particularly Charlotte's, from their childhood games to the stunning success of Jane Eyre and Wuthering Heights. Drawing on a wealth of letters and scholarly works, Miller succeeds in carefully revealing how the rumors that portrayed the Brontes as gothic creatures, saints and martyrs became more important than the women's novels,"covering and supplanting," as Henry James said,"their matter, their spirit, their style, their talent, their taste." Miller touches on everyone from Elizabeth Gaskell, whose famous Life of Charlotte Bronte (1857)"marked the birth of the Brontes as cultural icons," to Ted Hughes, and thus illuminates not only the lives of the sisters, but the significance and import of their work. Ultimately, such literary reclamation is what Miller is after: to clear up the clutter of history, to bring to light the genius and artistry of the novels and to let the Brontes speak for themselves.