The Burning Girl
'[Messud] is an absolute master storyteller' Los Angeles Times
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4.0 • 3 Ratings
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- £3.99
Publisher Description
BY THE AUTHOR OF THE 2024 BOOKER LONGLISTED THIS STRANGE EVENTFUL HISTORY
A bracing and hypnotic portrait of the complexities of female friendship
'Messud is a storyteller: the ability to compel and hold the reader's interest may not be the crown and summit of novel writing, but it's the beginning and end of it' Ursula K. Le Guin
Julia Robinson and Cassie Burnes have been friends since nursery school. They have shared everything, including their desire to escape the stifling limitations of their birthplace, the quiet town of Royston, Massachusetts. But as the two girls enter adolescence, their paths diverge: while Julia comes from a stable, happy, middle-class family, Cassie never knew her father, who died when she was an infant, and has an increasingly tempestuous relationship with her single mother, Bev.
When Bev becomes involved with the mysterious Anders Shute, Cassie feels cruelly abandoned. Disturbed, angry and desperate for answers, she sets out on a journey that will put her own life in danger, and shatter her oldest friendship.
Compact, compelling, and ferociously sad, The Burning Girl is at once a story about childhood, friendship and community, and a complex examination of the stories we tell ourselves about childhood and friendship. Claire Messud brilliantly mixes folklore and Bildungsroman, exploring the ways in which our made-up stories, and their consequences, become real.
PUBLISHERS WEEKLY
Trying to console her heartbroken daughter, Julia Robinson's mother muses, "Everyone loses a best friend at some point." Julia is the narrator of Messud's beautiful novel about two young girls, inseparable since nursery school in a small Massachusetts town, who feel they're "joined by an invisible thread," but who drift apart as they come of age. For years, Julia and Cassie Burnes have shared adventures and dreams, but as they cross the pivotal threshold into seventh grade, Julia feels betrayed when Cassie is drawn to boys, alcohol, and drugs. To the reader, the split seems inevitable. Julia is the product of a stable household, but Cassie's blowsy, unreliable mother transfers her affection to a brutally controlling lover who destroys Cassie's sense of security. Desperately unhappy, Cassie sets out to find the father she has never known and begins a spiral of self-destruction that Julia, now no longer Cassie's intimate friend, must hear about from the boy they both love. Messud shines a tender gaze on her protagonists and sustains an elegiac tone as she conveys the volatile emotions of adolescent behavior and the dawning of female vulnerability ("being a girl is about learning to be afraid"). Julia voices the novel's leitmotif: that everyone's life is essentially a mysterious story, distorted by myths. Although it reverberates with astute insights, in some ways this simple tale is less ambitious but more heartfelt than Messud's previous work. The Emperor's Children was a many-charactered, satiric study of Ivy League educated, entitled young people making it in New York. The Woman Upstairs was a clever, audacious portrayal of an untrustworthy protagonist. Informed by the same sophisticated intelligence and elegant prose, but gaining new poignant depths, this novel is haunting and emotionally gripping.
