The Caliph's House
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3.9 • 7 Ratings
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- £5.99
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- £5.99
Publisher Description
Look into the eyes of a jinn and you stare into the depths of your own soul...
Writer and film-maker Tahir Shah - in his 30s, married, with two small children - was beginning to wilt under brash, cramped, ennervating British city life. Flying in the face of friends' advice, he longed to fulfil his dream of finding a place bursting with life, colour, history and romance - somewhere far removed from London - in which to raise a family. Childhood memories of holidaying with his parents, and of a grandfather he barely knew, led him to Morocco and to 'Dar Khalifa', a sprawling and, with the exception of its jinns, long-abandoned residence on the edge of Casablanca's shanty town that, rumour had it, once belonged to the city's Caliph.
And so begins Tahir Shah's gloriously vivid, funny, affectionate and compelling account of how he and his family - aided, abetted and so often hindered by a wonderful cast of larger-than-life local characters: guardians, gardeners, builders, artisans, bureacrats and police (not forgetting the jinns, the spirits that haunt the house) - returned the Caliph's House to its former glory and learned to make this most exotic and alluring of countries their home.
The Caliph's House is a story of home-ownership abroad - full of the attendant dramas, anxieties and frustrations - but it is also much more. Woven into the narrative is the author's own journey of self-discovery, of learning about a grandfather he hardly knew, and of coming to love the magical, multi-faceted, contradictory country that is Morocco.
PUBLISHERS WEEKLY
When Shah, his pregnant wife and their small daughter move from England to Morocco, where he'd vacationed as a child, he enters a realm of "invisible spirits and their parallel world." Shah buys the Caliph's House, once a palatial compound, now heavy with algae, cobwebs and termites. Unoccupied for a decade, the place harbors a willful jinni (invisible spirit), who Shah, the rational Westerner, reluctantly grasps must be exorcised by traditional means. As Shah remodels the haunted house, he encounters a cast of entertaining, sometimes bizarre characters. Three retainers, whose lives are governed by the jinni, have attached themselves to the property. Confounding craftsmen plague but eventually beautify the house. Intriguing servants come and go, notably Zohra, whose imaginary friend, a 100-foot tall jinni, lives on her shoulder. A "gangster neighbor and his trophy wife" conspire to acquire the Caliph's House, and a countess remembers Shah's grandfather and his secrets. Passers-through offer eccentricity (Kenny, visiting 15 cities on five continents where Casablanca is playing; Pete, a convert to Islam, seeking "a world without America"). There is a thin, dark post-9/11 thread in Shah's elegantly woven tale. The dominant colors, however, are luminous. "ife not filled with severe learning curves was no life at all," Shah observes. Trailing Shah through his is sheer delight. Illus.
