The Exile
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5.0 • 1 Rating
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- £1.99
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- £1.99
Publisher Description
John Barron, the youngest cop on the LAPD's elite 5-2 Squad gets a baptism of blood and fire, when, forced to flee the murderous wrath of his own men, he becomes trapped in a web of unimaginable evil and global intrigue. Changing his identity, he becomes Nicholas Marten, and with his sister, Rebecca, is swept across oceans and continents from California to England to France and Russia in pursuit of and pursued by a heinous killer playing out his role in a deadly conspiracy orchestrated by one of the world's richest and most sinister women whose dark, haunted, vision threatens to topple governments, dethrone dynasties and catapult one family to the pinnacle of global power.
Praise for Allan Folsom’s The Exile
“The Exile starts out like gangbusters and quickly engages the reader.”
—Denver Post
“High-octane thriller writing with an almost visceral impact.”
—Publishers Weekly
“Folsom can flat-out write an action scene.”
—Kirkus Reviews
“Fast-paced, exciting adventure … With a sturdy hero and a despicably clever villain, the novel grabs readers from the opening scenes and rarely lets them loose. It does exactly what it set out to do: deliver breathless excitement.”
—Booklist
“Hold on tight—from the first scene Folsom spins a tale of page-turning suspense.”
—W.E.B. Griffin
“Once you start The Exile, forget sleep. It’s fierce, complex suspense is fast as a 9 mm slug and tight as a hangman’s noose.”
—Stephen Coonts
“Folsom returns with another winner.… Unexpected twists and catastrophe on a global scale … Folsom should have another best seller on his hands.”
—Library Journal
“More twists and turns than a strand of DNA.”
—William Peter Blatty, author of The Exorcist
“A masterful epic, The Exile has the sweep and power of The Da Vinci Code—a global enigma of world-shattering proportions and a blistering pace that will singe your trembling fingers.”
—Douglas Preston, The New York Times bestselling co-author of Relic and Cabinet of Curiosities
“A sweeping novel, crossing California, France, Switzerland, and England as a young California cop takes on a criminal mastermind.”
—Barbara D’ Amato, Edgar Award-winning author of Death of A Thousand Cuts
About the Author: A New York Times best-selling author, Allan Folsom grew up in Massachusetts. He has worked in the Hollywood entertainment industry as a film editor, cameraman, producer of documentary films, script doctor, television and screen writer. He has also been a delivery boy, truck driver, bartender, hotel manager and manager/co-owner of one the first major discotheques in America. He lives with his wife and daughter in California.
PUBLISHERS WEEKLY
Folsom (The Day After Tomorrow) begins his epic-sized new thriller smashingly, as cops from an elite LAPD squad stake out a train to arrest a killer and find themselves up against the mysterious Raymond, who leads them a murderous dance through the streets of the city, massacres several of them and is then apparently killed himself in a climactic shootout. For its first 200 pages, this is high-octane thriller writing with an almost visceral impact. But already there are dark hints of plot troubles to come. Young up-and-coming cop John Barron, Raymond's nemesis, is found to have a beautiful sister mentally paralyzed by the shock of their parents' long-ago murder, and Raymond begins to receive mysterious phone calls from a sinister baroness talking about his destiny. These kitschy elements dominate the story as it moves over to Europe, Barron builds himself a new life in England with a sexy aristocrat, sister Rebecca emerges from her cocoon as a Princess Di like figure and the murderous Raymond, now with a new identity, has a key role involving a major upheaval in world politics. Folsom still brings off some entertaining scenes, but the plot becomes so lumbering and improbable (wait till you find out who Rebecca's suave Latin lover is) that even a final burst of action at the Hermitage Museum in St. Petersburg cannot bring back the excitement that launched the book. As for the utterly unprepared-for ending, it breaks at least a dozen popular fiction rules at once.