With the long-awaited release of THE REPUBLIC OF THIEVES upon us, now is the perfect time to go back and see where it all began, in the first two books of the GENTLEMEN BASTARD series.
THE LIES OF LOCKE LAMORA:
They say that the Thorn of Camorr can beat anyone in a fight. They say he steals from the rich and gives to the poor. They say he's part man, part myth, and mostly street-corner rumor. And they are wrong on every count.
Only averagely tall, slender, and god-awful with a sword, Locke Lamora is the fabled Thorn, and the greatest weapons at his disposal are his wit and cunning. He steals from the rich - they're the only ones worth stealing from - but the poor can go steal for themselves. What Locke cons, wheedles and tricks into his possession is strictly for him and his band of fellow con-artists and thieves: the Gentleman Bastards.
RED SEAS UNDER RED SKIES:
Escaping from the attentions of the Bondsmagi Locke Lamora, the estwhile Thorn of Camorr, and Jean Tannen have fled their home city. Taking ship they arrive in the city state of Tal Varrar where they are soon planning their most spectacular heist yet; they will take the luxurious gaming house, The Sinspire, for all of its countless riches.
No-one has ever taken even a single coin from the Sinspire that wasn't won on the tables or in the other games of chance on offer there. But if anyone can, it is Locke and Jean...
British author Titchmarsh (Rosie) brings the art world alive in this engaging romantic drama. In 2007, James "Jamie" Ballantyne reconnects with childhood chum and flame, Artemis "Missy" King, who resurfaces in the showroom of Jamie's auction house in Bath to bid on a painting on behalf of her grandfather. The reunited couple discover that a set of paintings by Sir Alfred James Munnings, owned by Missy's grandfather (himself owner of an established fine art gallery), are fakes. Their investigation reveals a long thread of family secrets and the source of the feud between their two families, revelations that cause the couple to split up. Titchmarsh alternates between the present and the story of Jamie's grandfather, Harry Ballantyne, and Missy's grandmother, Eleanor King, who met as art students at Oxford. The effect is nostalgic and builds anticipation and curiosity in the history of the two families, including the story behind the lost love of their grandparents.