The House of Sleep
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4.4 • 11 Ratings
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- £6.99
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- £6.99
Publisher Description
The House of Sleep - Jonathan Coe's comic tale of love and obsession
Sarah is a narcoleptic who has dreams so vivid she mistakes them for real events; Robert has his life changed for ever by the misunderstandings arising from her condition; Terry, the insomniac, spends his wakeful nights fuelling his obsession with movies; and the increasingly unstable Dr Gregory Dudden sees sleep as a life-shortening disease which must be eradicated. . .
A group of students sharing a house. They fall in and out of love, they drift apart. Yet a decade later they are drawn back together by a series of coincidences involving their obsession with sleep - and each other. . .
Winner of the 1998 Prix Médicis Étranger, The House of Sleep is an intensely moving and frequently hilarious novel about love, obsession and sleep.
'Moving, clever, pleasurable, smart...one of the best books of the year' Malcolm Bradbury, The Times
'There are bits that make you laugh out loud and others that make your heart ache' Guardian
'Fiercely clever, witty, wise, hopeful...a compellingly beautiful tale of love and loss' The Times Literary Supplement
Jonathan Coe's novels are filled with biting political satire, moving and astute observations of life and hilarious set pieces that have made him one of the most popular writers of his generation. His other titles, The Accidental Woman, The Rotters' Club (winner of the Everyman Wodehouse prize), The Closed Circle, The Dwarves of Death, What a Carve Up! (winner of the 1995 John Llewellyn Rhys Prize) and The Rain Before it Falls, are all available as Penguin paperback.
PUBLISHERS WEEKLY
A gloomy Victorian manor called Ashdown, perched on a precipice overlooking the English coastline like the anthropomorphic castle of a 19th-century gothic romance, is the setting for much of this engrossing and wildly inventive tale of demented scientists, obsessive desire, youthful idealism and anomie. As in Coe's previous book, The Winshaw Legacy, such gothic trappings serve a thoroughly contemporary story that traces the lives of several students who lived at Ashdown in the early 1980s. Then a university dormitory, it has since become a clinic for the study of sleep disorders run by the sadistic Dr. Gregory Dudden, a former student there. In chapters named in descending order after the clinical stages of sleep, the novel follows the strange coincidences of the summer of 1994 that re-acquaint Dudden with people from his past: Sarah, his narcoleptic college girlfriend, now a disillusioned schoolteacher living in London; Terry, an insomniac film critic under Dudden's supervision; and Terry's college friend Robert, whose long unrequited fixation with Sarah and confusion over his own gender led to a post-graduation vanishing act that is only explained in the very last chapter. In a series of plot twists and reversals as intricate as the electrodes that festoon the heads of the patients at Ashdown, the novel also manages to describe a university class polarized by the politics of the 1980s; the life and work of a fictitious Italian film director; an eponymous novel-within-a-novel about "midnight kidnappings" and a "notorious criminal called the Owl"; a reminiscence of the British film industry whose footnotes are hilariously askew; and an essay interpreting the events in Sarah's life from the perspective of her Lacanian psychiatrist. Balancing self-knowing references to semiotics and psychoanalysis with elegant plot symmetries, Coe proves himself as adept an architect of sparkling, highly caffeinated fictional conceits as he is a satirist of the ambiguities of identity and the afflictions of the sleep-deprived.
