The Invention of Fire
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- £2.99
Publisher Description
The richly atmospheric new historical thriller featuring John Gower, poet and trader of secrets. Set in the turbulent 14th Century, this is perfect for fans of C. J. Sansom.
London, 1386: young King Richard II faces the double threat of a French invasion and growing unrest amongst his barons – and now there's evil afoot in the City. Sixteen corpses have been discovered in a sewer, their wounds like none ever seen before. One thing is clear: whoever threw the bodies into the sewer knew they would be found – and was powerful enough not to care.
Enter John Gower, poet and intellectual whose 'peculiar vocation' is dealing in men's secrets. Against the backdrop of medieval London with its grand palaces and churches, dark alleys and mean backstreets, Gower pursues his dangerous quarry. Seeking insights from his friend Geoffrey Chaucer and using his network of contacts, Gower comes to the shocking belief that the men have been killed by a new and deadly weapon of war.
Known as 'the handgonne', it would put untold power into the hands of whoever perfected its design. But who has commissioned this weapon? A man who would stop at nothing to achieve his secret goal.
Reviews
‘Holsinger evokes the distant world of medieval London under King Richard II in all its gamey, gory, glory' Daily Mail
Praise for A BURNABLE BOOK:
‘The invention of handguns presages a radical change in warfare in Holsinger’s skillful and engrossing second medieval thriller… Holsinger is equally adept at depicting the machinations of the rich and powerful and the fears and hopes of the working class, 'desperate to hold on to their small scraps of ground in the face of the great events unfolding around them' Publishers Weekly, starred review
‘This excellent historical thriller is narrated in a gloriously earthly language that is, long before Shakespeare and the King James Bible, still in the process of taking shape’ Library Journal, starred review
‘A cautionary tales that argues powerfully against handgonnes and their modern descendants’ Kirkus Reviews
Praise for A BURNABLE BOOK:
‘An enjoyable story of murder and intrigue in 14th-century London’ Sunday Times
‘Holsinger carries the reader to Oxford, Italy and Spain, but the highlight is his description of medieval London with its murky, poverty-stricken streets…enjoyable and intelligent’ The Daily Mail
‘His profound knowledge of the 14th century provides a wonderfully convincing back-drop… his London feels like a real place, from St Paul’s churchyard to Southwark’s Gropecunt Lane. Comparisons with C.J. Sansom are inevitable, and justified’ Andrew Taylor, The Spectator
‘John Gower is the perfect narrator and amateur sleuth …Holsinger's research, alongside the energetic vulgarity of a language in flux, delivers up a world where even the filth is colorful’ New York Times Book Review
‘A murder, a verse and a whore; the prologue of Bruce Holsinger`s A BURNABLE BOOK draws the reader in and does not let go. A deep understanding of the period combines with sophisticated writing to create a richly imagined world. Excellent historical fiction’ Harry Sidebottom, bestselling author of the WARRIOR OF ROME series
PUBLISHERS WEEKLY
The invention of handguns presages a radical change in warfare in Holsinger's skillful and engrossing second medieval whodunit (after 2014's A Burnable Book). In London in 1386, the bodies of 16 unidentified men, who have been slaughtered in some unknown fashion, are found in a public privy. Poet John Gower, a colleague of Geoffrey Chaucer, is asked to look into the deaths by Ralph Strode, an old friend who was once a criminal court judge. Strode warns him that not everyone is eager for a solution. Nicholas Brembre, "perhaps the most powerful mayor in London's history," is reported to have destroyed evidence and threatens anyone who even mentions the massacre. Strode correctly predicts that Gower's "devotion to the right way" will move him to seek the truth, a challenge made even greater by the investigator's fears that he's going blind. Holsinger is equally adept at depicting the machinations of the rich and powerful and the fears and hopes of the working class, "desperate to hold on to their small scraps of ground in the face of the great events unfolding around them."