The Journals of Ayn Rand
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- £11.99
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- £11.99
Publisher Description
Rarely has a writer and thinker of the stature of Ayn Rand afforded us access to her most intimate thoughts and feelings. From Journals of Ayn Rand, we gain an invaluable new understanding and appreciation of the woman, the artist, and the philosopher, and of the enduring legacy she has left us.Rand comes vibrantly to life as an untried screenwriter in Hollywood, creating stories that reflect her youthful vision of the world. We see her painful memories of communist Russia and her struggles to convey them in We the Living. Most fascinating is the intricate, step-by-step process through which she created the plots and characters of her two masterworks, The Fountainhead and Atlas Shrugged, and the years of painstaking research that imbued the novels with their powerful authenticity. Complete with reflections on her legendary screenplay concerning the making of the atomic bomb and tantalizing descriptions of projects cut short by her death, Journals of Ayn Rand illuminates the mind and heart of an extraordinary woman as no biography or memoir ever could. On these vivid pages, Ayn Rand lives.
PUBLISHERS WEEKLY
Strictly for the lovers and loathers of Ayn Rand (perhaps an equal market share), this work offers almost everything the author ever wrote to herself. As intriguing yet sometimes numbing as her fiction, the book, which covers the years from 1927 to the mid-1970s, contains her first philosophical stabs, notes on her novels, HUAC testimony against alleged Hollywood communists, and her unfinished projects. Rand fans who marveled at the detail and richness of The Fountainhead and Atlas Shrugged can now examine her research as well as confirm suppositions as to who inspired what characters (yes, Frank Lloyd Wright inspired Howard Roark). For the despisers of Ayn Rand, there are numerous paroxysms on the sanctity of money, the spirituality of materialism and the genius of the rich. In Rand's fiction, her most original assertions--a vision of engineers, industrialists and architects heroically forcing the world to turn, despite the untalented, the mediocre and, of course, the collectivist parasite (i.e., communists)--were generally followed by the hero's endless, repetitious rants on the value of individualism. Unfortunately, her journals are similarly afflicted. Comic relief comes when she notes her frustrations with her real-life role models, as when Wright fails to live up to the Roark ideal: "How does one get to that?" The radical energy and convictions of the author continue to invigorate, challenge and annoy. Somewhere between Emily Bronte and L. Ron Hubbard, between a romantic virtuoso and capitalist cult leader, Rand seduces with her amazing prose her philosophic pronouncements become the propaganda she wished to combat.
