The Lazarus Project
-
-
4.5 • 2 Ratings
-
-
- £5.99
-
- £5.99
Publisher Description
‘Prose this powerful could wake the dead’ – Observer
Crossing a century of Eastern European history, The Lazarus Project is a profound exploration of alienation and the immigrant experience from Aleksandar Hemon, author of The World and All That It Holds.
On 2 March 1908, Lazarus Averbuch, a young Russian Jewish immigrant to Chicago, tried to deliver a letter to the city’s Chief of Police. He was shot dead.
After the shooting, it was claimed he was an anarchist assassin and an agent of foreign operatives who wanted to bring the United States to its knees. His sister, Olga, was left alone and bereft in a city seething with tension.
A century later, two friends become obsessed with the truth about Lazarus and decide to travel to his birthplace. As the stories intertwine, a world emerges in which everything – and nothing – has changed . . .
‘This is easily Hemon’s best work to date, an intricately tessellated portrait of flight, emigration, and the meaning of home’ – Evening Standard
PUBLISHERS WEEKLY
MacArthur genius Hemon in his third book (after Nowhere Man) intelligently unpacks 100 years' worth of immigrant disillusion, displacement and desperation. As fears of the anarchist movement roil 1908 Chicago, the chief of police guns down Lazarus Averbuch, an eastern European immigrant Jew who showed up at the chief's doorstep to deliver a note. Almost a century later, Bosnian-American writer Vladimir Brik secures a coveted grant and begins working on a book about Lazarus; his research takes him and fellow Bosnian Rora, a fast-talking photographer whose photos appear throughout the novel, on a twisted tour of eastern Europe (there are brothel-hotels, bouts of violence, gallons of coffee and many fabulist stories from Rora) that ends up being more a journey into their own pasts than a fact-finding mission. Sharing equal narrative duty is the story of Olga Averbuch, Lazarus's sister, who, hounded by the police and the press (the Tribune reporter is especially vile), is faced with another shock: the disappearance of her brother's body from his potter's grave. (His name, after all, was Lazarus.) Hemon's workmanlike prose underscores his piercing wit, and between the murders that bookend the novel, there's pathos and outrage enough to chip away at even the hardest of hearts.
