The Max Freeman Mysteries Volume Two

The South Florida PI is back in the Edgar Award–winning series from a national bestselling author and “the master of the high-stakes thriller” (Michael Connelly).
 
National bestselling author Jonathon King continues his Edgar Award–winning series that follows a tormented ex-cop from Philadelphia to South Florida on a quest to earn redemption from his dark past. “Whether taking us to the dark corners of the Everglades or the hard streets of Philadelphia, King’s writing is gritty, vivid, and suspenseful” (Harlan Coben).
 
A Killing Night: After three young female bartenders are murdered in Miami, and another goes missing in Philadelphia, private investigator Max Freeman is hired—by his ex-girlfriend Sherry—to look into the deaths. He accepts the job grudgingly, especially since Sherry is convinced the killer is a retired police officer who once saved Freeman’s life back in Philly.
 
“Compelling from start to finish.” —The Miami Herald
 
Acts of Nature: Max and Sherry’s vacation in the Everglades ends abruptly when Hurricane Simone slams into the Sunshine State, leaving them stranded in the swamp and forced to contend with opportunistic crooks looking to benefit from the disaster and hired muscle from a powerful oil company hoping to protect a lethal secret—regardless of who stands in the way.
 
“An action-packed glide through the Glades.” —South Florida Sun-Sentinel
 
Midnight Guardians: Freeman takes on a case involving a conspiracy to defraud Medicare—but he quickly discovers there’s more to it than a simple scam. Soon the former Philadelphia cop is calling upon his old street instincts when an ex-drug kingpin known as the Brown Man turns up—and Freeman’s girlfriend, Det. Sherry Richards, is put in harm’s way.
 
“Captivating.” —Publishers Weekly
 
Don’t Lose Her: When a pregnant judge is abducted while presiding over the extradition hearing of a notorious Columbian drug lord, Freeman follows her trail into the Everglades to save her and her unborn child before it’s too late.
 
“This book moves with relentless abandon.” —Michael Connelly