Detective Dave Robicheaux first met Desmond Cormier on the backstreets of New Orleans. He was a young pretender who dreamt of stardom whilst Robicheaux had his path all figured out.
Now, twenty-five years later, their roles have reversed. When Robicheaux knocks on Cormier's door, he sees a successful Hollywood director.
It seems dreams can come true. But so can nightmares.
A young woman has been crucified, wearing only a small chain on her ankle, and all the evidence points to Cormier. Robicheaux wants to believe his old friend wouldn't be capable of such a crime - but Cormier's silence is deafening.
And he isn't the only ghost from Robicheaux's past which comes back to haunt him...
In Edgar winner Burke's masterly 22nd novel featuring Iberia Parish, La., detective Dave Robicheaux (after 2018's Robicheaux), Hollywood director Desmond Cormier, whom Robicheaux knew 25 years earlier as a young man on the streets of New Orleans with big plans of heading to California to make movies, returns to Louisiana to shoot his next film. When the crucified body of a woman is found floating in the bay close to Cormier's waterfront estate, Robicheaux investigates. Meanwhile, his pal Clete Purcel witnesses a man leap from a moving train into the bayou. Could the presence of this man, escaped convict Hugo Tillinger, somehow connect with Robicheaux's case? Several other bodies turn up, all grotesquely staged to represent cards in a tarot deck. Robicheaux is convinced that Cormier's film crew is involved, but he soon finds himself in a shadowy world of rogue cops, mobsters, and a childlike assassin named Smiley. With his lush, visionary prose and timeless literary themes of loss and redemption, Burke is in full command in this outing for his aging but still capable hero.
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The New Iberia Blues
James Lee Burke never disappoints. The luminous lyricism of his nuanced descriptions of Louisiana’s nature and haunting history are unsurpassed. His characters have heart and credibility and his readers care what happens to all those they’ve come to know over the years. His plots are tight and cogent and the quality of his storytelling has never flagged. He’s up there with the best in any genre.