The Painter of Shanghai
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- £5.99
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- £5.99
Publisher Description
In 1913 an orphan girl boards a steamship bound for Wuhu in South East China. Left in the hands of her soft-hearted but opium-addicted uncle she is delivered to The Hall of Eternal Splendour which, with its painted faces and troubling cries in the night, seems destined to break her spirit.
And yet the girl survives and one day hope appears in the unlikely form of a customs inspector, a modest man resistant to the charms of the corrupt world that surrounds him but not to the innocent girl who stands before him. From the crowded rooms of a small-town brothel, heavy with the smoke of opium pipes and the breath of drunken merchants, to the Bohemian hedonism of Paris and the 1930s studios of Shanghai, Jennifer Epstein’s first novel, based on a true story, is an exquisite evocation of a fascinating time and place, with a breathtaking heroine at its heart.
PUBLISHERS WEEKLY
Epstein's sweeping debut novel, set in early 20th-century China, fictionalizes the life of Chinese painter Pan Yuliang. Born Xiuquing, she is orphaned at a young age and later sold into prostitution by her uncle, who needs the money to support his opium habit. Renamed Yuliang, she becomes the brothel's top girl and soon snags the attention of customs inspector Pan Zanhua, who makes her his concubine. Zanhua sets her up in Shanghai, where she enrolls in the Shanghai Art Academy and early on struggles with life study, unable to separate the nude's monetary value from its value in the "currency of beauty." She eventually succeeds, winning a scholarship to study in Europe. But when she returns to China, itself inching toward revolution, the conservative establishment is critical of Yuliang, balking as she adopts Western-style dress and becomes known for her nudes (one newspaper deems her work pornography). Simmering resentments hit a flashpoint at a disastrous Shanghai retrospective exhibit, and the fallout nearly destroys Yuliang's artistic ambition. Convincing historic detail is woven throughout and nicely captures the plight of women in the era. Epstein's take on Yuliang's life is captivating to the last line.
