The Position of Spoons
and other intimacies
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- £10.99
Publisher Description
From twice Booker-shortlisted author Deborah Levy, a moving and revelatory collection exploring the muses that have shaped her life and work as a writer
In The Position of Spoons, Deborah Levy invites the reader into the interiors of her world, sharing her most intimate thoughts and experiences, as she traces and measures her life against the backdrop of the literary and artistic muses that have shaped her.
From Marguerite Duras to Colette and Ballard, and from Lee Miller to Francesca Woodman and Paula Rego, we can relish here the richness of their work and, in turn the richness of the author’s own.
Each page draws upon Levy’s life in exalting ways, encapsulating the wonderful precision and astonishing depth of her writing, as she seamlessly shifts between and meditates on questions of mortality, language, suburbia, gender, consumerism and the poetics of every day living. From the child born in South Africa, to her teenage years in Britain, to her travels across the world as a young woman, each page is a beautiful, tender composition of the questioning self: a portrait of Deborah Levy’s writing life and intellectual vitality in all of its dimensions.
PUBLISHERS WEEKLY
Novelist and playwright Levy (August Blue) delivers a dazzling collection of musings on art, aging, psychoanalysis, celebrity car crashes, and more. The stylish essays—some as brief as one page—run the gamut from funny reflections on the Mona Lisa ("Her hair looks uncared for under her hood. She probably has lice") and oral sex ("a super sport that should be included in the Olympic games") to weightier considerations of the human tendency to look away from discomfort. Of model and photographer Lee Miller, whose career took her from fashion runways to documenting the liberation of Buchenwald, Levy writes, "she both hides from and gives herself to the camera." Taken together, Levy's extraordinary observations (eggs are "sculptures" that "have the added uncanny allure of being an artwork that is made inside the body of a hen") amount to a trip through a consciousness trained to deeply consider everything it encounters—be it a pair of shoes, a bowl of lemons, or the work of Simone de Beauvoir. "There is the story and then there is everything else," Levy posits. Here, she gives space to everything else, with sublime results. Readers will be grateful for this generous peek inside a singular mind.
