The Rime of the Ancient Mariner
With Introductory Excerpts by Mary E. Litchfield & Edward Everett Hale
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- £4.99
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- £4.99
Publisher Description
Samuel Taylor Coleridge (1772–1834) was an English poet, theologian, literary critic, philosopher, and co-founder of the English Romantic Movement. He was also a member of the famous Lake Poets, together with William Wordsworth and Robert Southey. Coleridge had a significant influence on the the work of Ralph Waldo Emerson and American Transcendentalism in general, and also played an important role in bringing German idealist philosophy to the English-speaking world. One of Coleridge's most famous works, “The Rime of the Ancient Mariner” was written in 1798 and represents his longest major poetic work. It is generally considered to be a turning point signalling a shift towards modern poetry and the beginning of British Romantic literature. This wonderful poem is a classic of English literature and is not to be missed by lovers of Romantic poetry. Contents include: “Samuel Taylor Coleridge, by Mary E. Litchfield”, “The Ancient Mariner , by Edward Everett Hale”, “Argument of the Ancient Mariner, by Mary E. Litchfield”, “Part the First”, “Part the Second”, “Part the Third”, “Part the Fourth”, “Part the Fifth.”, etc. Ragged Hand is proud to be republishing this seminal poem now in a brand new edition complete with introductory excerpts by Mary E. Litchfield & Edward Everett Hale.
PUBLISHERS WEEKLY
"It is an ancient Mariner, and he stoppeth one of thee...." Although these ominous lines perennially instill fear of final exams and term papers in the minds of high school students and Romantic English majors, they're not often remembered by adults. Mason's reading of Coleridge's 1796 epic poem is at once hypnotic and stirring. The Academy Award nominated actor reads the chilling tale involving clashes with sea monsters, a boat swarming with zombies and a dice game with Death in an authoritative English accent. Like the ocean surrounding the Mariner's ship, his voice ebbs and flows with the imaginative poem's various heights. He quickly rattles off, "water, water, every where, and all the boards did shrink; Water, water, everywhere, nor any drop to drink" but gently whispers "And I had done an hellish thing, and it would work 'em woe: For all averred, I had killed the bird that made the breeze to blow." Coleridge (1772 1834), uses words to make the fantastical believable, and here, Mason brings those words vividly to life. A bonus track features Mason's animated reading of The Hunting of the Snark, an eight-canto poem by Lewis Carroll.
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