Kim Harrison returns to her beloved Hollows series with the official prequel. This will introduce fans and readers to a whole new side of Rachel Morgan's world as they've never seen it before!
Can science save us when all else fails?
Trisk and her hated rival, Kalamack, have the same goal: save their species from extinction.
Death comes in the guise of hope when a genetically modified tomato created to feed the world combines with the government's new tactical virus, giving it an unexpected host and a mode of transport. Plague takes the world, giving the paranormal species an uncomfortable choice to stay hidden and allow humanity to die, or to show themselves in a bid to save them.
Under accusations of scientific misconduct, Trisk and Kal flee across a plague torn United States to convince leaders of the major paranormal species to save their supposedly weaker kin, but not everyone thinks humanity should be saved.
Kal surreptitiously works against her as Trisk fights the prejudices of two societies to prove that not only does humanity have something to offer, but that long-accepted beliefs against women, dark magic, and humanity itself can turn to understanding; that when people are at their worst that the best show their true strength, and that love can hold the world together as a new balance is found.
An unmissable story for fans of the Hollows series - discover Rachel Morgan's world as you've never seen it before . . .
In this somewhat clunky prequel to her bestselling Hollows urban fantasy series, Harrison (The Operator) goes back to the 1960s to depict the drastic event known as the Turn. Elf Trisk Cambri yearns for success and glory as a geneticist but is overlooked due to her gender; when given a chance to work on a human-led project as an industrial spy, she accepts it, taking the opportunity to help perfect a tomato that could change the world. When her rival, fellow elf Trent "Kal" Kala mack, sabotages the project, he inadvertently unleashes a plague that wipes out a billion humans (to which the survivors' reaction is weirdly understated) and threatens the rest, only sparing the supernatural races hiding in plain sight. Now Trisk and her fellow Inderlanders must somehow stop the plague and save the world without revealing their true natures. While chronicling the collapse of civilization and the rise of the supernatural races, Harrison focuses on industrial espionage and science, in contrast to the romance-heavy books that follow; this one does have a forced romance plot between Trisk and Kal, but it's hard to view an unintentional mass killer as a romantic hero. It's a fantasy that feels more like a thriller, set in a 1960s that doesn't entirely ring true, and crammed full of appearances and cameos by numerous familiar characters. It works well as fan service but relies heavily on the rest of the series to give its events meaning.