WINNER OF THE WOMEN'S PRIZE FOR FICTION 2010
ONE MILLION COPIES SOLD
Eva never really wanted to be a mother; certainly not the mother of a boy named Kevin who murdered seven of his fellow high school students, a cafeteria worker and a teacher who had tried to befriend him. Now, two years after her son's horrific rampage, Eva comes to terms with her role as Kevin's mother in a series of startlingly direct correspondences with her absent husband Franklyn about their son's upbringing. Fearing that her own shortcomings may have shaped what her son has become, she confesses to a deep, long-standing ambivalence about motherhood. How much is her fault? In Lionel Shriver's hands this sensational, chilling and memorable story of a woman who raised a monster becomes a metaphor for the larger tragedy - the tragedy of a country where everything works, nobody starves, and anything can be bought but a sense of purpose.
A starred or boxed review indicates a book of outstanding quality. A review with a blue-tinted title indicates a book of unusual commercial interest that hasn't received a starred or boxed review.WE NEED TO TALK ABOUT KEVINLionel Shriver. Counterpoint, $25 (416p) A number of fictional attempts have been made to portray what might lead a teenager to kill a number of schoolmates or teachers, Columbine style, but Shriver's is the most triumphantly accomplished by far. A gifted journalist as well as the author of seven novels, she brings to her story a keen understanding of the intricacies of marital and parental relationships as well as a narrative pace that is both compelling and thoughtful. Eva Khatchadourian is a smart, skeptical New Yorker whose impulsive marriage to Franklin, a much more conventional person, bears fruit, to her surprise and confessed disquiet, in baby Kevin. From the start Eva is ambivalent about him, never sure if she really wanted a child, and he is balefully hostile toward her; only good-old-boy Franklin, hoping for the best, manages to overlook his son's faults as he grows older, a largely silent, cynical, often malevolent child. The later birth of a sister who is his opposite in every way, deeply affectionate and fragile, does nothing to help, and Eva always suspects his role in an accident that befalls little Celia. The narrative, which leads with quickening and horrifying inevitability to the moment when Kevin massacres seven of his schoolmates and a teacher at his upstate New York high school, is told as a series of letters from Eva to an apparently estranged Franklin, after Kevin has been put in a prison for juvenile offenders. This seems a gimmicky way to tell the story, but is in fact surprisingly effective in its picture of an affectionate couple who are poles apart, and enables Shriver to pull off a huge and crushing shock far into her tale. It's a harrowing, psychologically astute, sometimes even darkly humorous novel, with a clear-eyed, hard-won ending and a tough-minded sense of the difficult, often painful human enterprise. 4-city author tour.
Fantastic read - don't be tempted to watch the film after, you'll be disappointed! I lent this to my step mum and she couldn't put it down - she reads a lot and this is the best book she has read in a long time and was totally griped too :-D
I often sit and marvel at how someone had this book in their brain. This is a level of writing brilliance I’ve rarely seen (or read!)
It’s compelling, beautifully written, honest, thought provoking, chilling, complex. The characters and plot feel so rich and real. It’s the best book I’ve ever read.
We need to talk about Kevin.
The write up about this book had me hooked.. However I found it hard going. One of my pet hates is a ridiculous unreadable surname!!!! Must admit to flicking through pages of "stuff" to get to an interesting part. Ending was good... Questions kept me thinking... Don't think I'll read another by this author. 4/10