Who's Afraid of Postmodernism?
Taking Derrida, Lyotard, and Foucault to Church
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- £6.99
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- £6.99
Publisher Description
The philosophies of French thinkers Derrida, Lyotard, and Foucault form the basis for postmodern thought and are seemingly at odds with the Christian faith. However, James K. A. Smith claims that their ideas have been misinterpreted and actually have a deep affinity with central Christian claims.
Each chapter opens with an illustration from a recent movie and concludes with a case study considering recent developments in the church that have attempted to respond to the postmodern condition, such as the "emerging church" movement. These case studies provide a concrete picture of how postmodern ideas can influence the way Christians think and worship.
This significant book, winner of a Christianity Today 2007 Book Award, avoids philosophical jargon and offers fuller explanation where needed. It is the first book in the Church and Postmodern Culture series, which provides practical applications for Christians engaged in ministry in a postmodern world.
PUBLISHERS WEEKLY
Christians who think that "Lyotard" is something worn by gymnasts ought to investigate this unusual book, which aims to make accessible the philosophical and religious contributions of three postmodern thinkers: Jacques Derrida, Jean-Fran ois Lyotard and Michel Foucault. Smith, a philosophy professor at Calvin College, does this cleverly by employing illustrations and examples from such films as The Matrix; Memento; One Flew over the Cuckoo's Nest; O Brother, Where Art Thou?; and, surprisingly but successfully, The Little Mermaid. Along the way, Smith also dissects the popular teachings of postmodern writers like Brian McLaren (reviewed and interviewed in this issue), Leonard Sweet and Robert Webber. At times, the language is decidedly academic ("heuristic," "metanarrative" and "epistemology" make routine appearances), and the book tends to assume a basic familiarity with philosophical debates. Still, it's one of the most accessible introductions to postmodern thought to date, and its concluding chapter in which Smith brilliantly employs the movie Whale Rider to explore how Christianity might be simultaneously faithful to tradition and open to change is alone worth the price of admission. Ironically but persuasively, Smith argues that postmodern Christianity's most powerful contribution could be a return to ancient, premodern church traditions and liturgy.
