Written Lives
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- £6.49
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- £6.49
Publisher Description
An affectionate and very funny gallery of twenty great world authors from the pen of "the most subtle and gifted writer in contemporary Spanish literature" (The Boston Globe).
In addition to his own busy career as "one of Europe's most intriguing contemporary writers" (TLS), Javier Marías is also the translator into Spanish of works by Hardy, Stevenson, Conrad, Faulkner, Nabokov, and Laurence Sterne. His love for these authors is the touchstone of Written Lives. Collected here are twenty pieces recounting great writers' lives, "or, more precisely, snippets of writers' lives." Thomas Mann, Rilke, Arthur Conan Doyle, Turgenev, Djuna Barnes, Emily Brontë, Malcolm Lowry, and Kipling appear ("all fairly disastrous individuals"), and "almost nothing" in his stories is invented.
Like Isak Dinesen (who "claimed to have poor sight, yet could spot a four-leaf clover in a field from a remarkable distance away"), Marías has a sharp eye. Nabokov is here, making "the highly improbable assertion that he is 'as American as April in Arizona,'" as is Oscar Wilde, who, in debt on his deathbed, ordered up champagne, "remarking cheerfully, 'I am dying beyond my means.'" Faulkner, we find, when fired from his post office job, explained that he was not prepared "to be beholden to any son-of-a-bitch who had two cents to buy a stamp." Affection glows in the pages of Written Lives, evidence, as Marías remarks, that "although I have enjoyed writing all my books, this was the one with which I had the most fun."
PUBLISHERS WEEKLY
The writers whose lives are sketched in this quirky and appealing book by the world-renowned (though less so here) Spanish writer Mar as are familiar to any avid reader: Oscar Wilde, Henry James, Djuna Barnes and William Faulkner, among others. Marias says his aim is to examine writers about whom "absolutely everything" is already known and portray them "as if they were fictional characters." He distills each writer's salient personality traits to outline definitive if idiosyncratic portraits: thus "Nabokov in Rapture"; "Ivan Turgenev in His Sadness." Almost all of these essays display Mar as 's dry humor and affectionate tolerance for his subjects' eccentricities, but the portrayals of Thomas Mann, James Joyce and Yukio Mishima bristle with Mar as 's disdain. And sometimes the title phrase is tailored to an id e fixe rather than intrinsic to the subject ("Robert Louis Stevenson Among Criminals"). The book is distinguished by supple turns of phrase and bon mots ("every true gentleman has behaved like a scoundrel at least once in his life") and by the photos of each writer from the author's own collection. Reading these portraits is addictive; one keeps turning pages in anticipation of Mar as 's keen and amusing analyses.
