Animal
The 'compulsive' (Guardian) new novel from the author of THREE WOMEN
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- 9,99 €
Publisher Description
'Joan is an unforgettable anti-heroine. I don't think I'll ever stop thinking about her' ELIZABETH DAY
'So insanely good and true and twisted it'll make your teeth sweat' OLIVIA WILDE
'One of my favourite writers of all time' DUA LIPA
'Like a series of grenades exploding' MARIAN KEYES
I drove myself out of New York City where a man shot himself in front of me. He was a gluttonous man and when his blood came out it looked like the blood of a pig.
That's a cruel thing to think, I know. He did it in a restaurant where I was having dinner with another man, another married man.
Do you see how this is going? But I wasn't always that way.
I am depraved. I hope you like me.
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A FINALIST FOR THE MCKITTERICK PRIZE 2022
A 2021 Highlight for: Guardian - Sunday Express - Independent - New Statesman - Evening Standard - Cosmopolitan - Red - Grazia - Daily Mail - Daily Express - The Week - Irish Times - i - The Sun
PUBLISHERS WEEKLY
In Taddeo's underwhelming debut novel (after the nonfiction narrative Three Women), a re-traumatized woman faces her painful past. Joan, 37, leaves New York City for Los Angeles after her boss, Vic, with whom she had been having an affair, shoots himself in front of her at a restaurant. Witnessing Vic's death brings back memories for Joan, who lost her parents to a gruesome act of violence when she was 10, which left her orphaned and with a sizable inheritance. Joan believes a young woman named Alice, a yoga teacher in L.A., whom she'd never met, holds the key to understanding the night of her parents' death, and the reason is initially withheld from the reader as well as Alice, after the two women form a superficial intimacy revolving around men and how terrible they are. Unfortunately, Alice suffers from thin characterization that renders her little more than a device for Joan's development. And though the men are certainly horrible, especially the ones in Joan's life—including her dead father—Taddeo misses an opportunity for a more critical exploration of female rage, relying instead on the shock value of the third act's violent scenes. Recent novels such as A Certain Hunger by Chelsea G. Summers have treated similar themes with more imagination and depth. Jennifer Joel, ICM Partners.
