Bitter Magic
Inspired by the True Story of a Confessed Witch
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- 9,99 €
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- 9,99 €
Publisher Description
Bitter Magic, inspired by the true story of Isobel Gowdie and her witchcraft confession, reveals a little-known corner of history-the lives of both pagan and Protestant women in the Scottish Reformation of the 1600s as witch trials and executions threatened their lives, values, and beliefs.
The story is told by Isobel herself and also by Margaret Hay, a fictionalized seventeen-year-old noble woman. When Margaret stumbles across Isobel one day, it seems as though Isobel is commanding the dolphins in the ocean to dance. Margaret is enchanted. She becomes interested in Isobel's magic, in fairies, and in herbal remedies; Isobel freely shares her knowledge. While Margaret worries that being around Isobel could be dangerous, she also respects Isobel's medical successes and comes to believe that acknowledging the efficacy of herbal remedies or believing in fairies does not challenge her Christianity.
But Isobel believes in more than cheery fairies and herbal medicine. She has dark wishes as well, unknown to most people. Isobel seeks vengeance against the local lord who executed her mother for witchcraft. More important, Isobel's trance experiences (or are they dreams?) lead her to confess to a wide range of sins, including consorting with the devil. Then, during her trial, Isobel names thirteen others, calling them all witches. To her great shock, Margaret hears her own name. Can her tutor, a Christian mystic named Katharine, save them?
PUBLISHERS WEEKLY
The pleasant if uneven latest from Kilgore (after Wild Mountain) draws from fascinating source material, but lacks the enchanting vigor of stronger historical fantasies. Set in 1660 Scotland and inspired by the true story of Isobel Gowdie, a confessed witch, the story centers on 17-year-old Lady Margaret of the ancient clan of Hay. Margaret encounters Isobel, an elderly woman who can communicate with dolphins and faeries, and is immediately drawn to her. Her family and friends discourage the association, as witches are routinely burned for heresy. But when Margaret's best friend, Henrietta, is captured by the MacDonalds amid ongoing clan conflict, Margaret turns to Isobel for magical assistance in bringing Henrietta home, launching her down a dangerous path. The book shifts between Margaret and Isobel's perspectives with occasional third-person interruptions, and Isobel's narration is consistently the weaker of the two. Attempts at accurate period dialogue are stilted and expositional (" ‘I am your father, and I must keep you safe,' he said with some sorrow in his voice. ‘But I am seventeen, Father. I know how to be safe' "), clunkily conveying historical information that is more eloquently covered in an accompanying author's note. The story is involving enough to keep the pages turning, but the delivery leaves something to be desired.
