Miss Butterworth and the Mad Baron
a hilarious graphic novel from The Sunday Times bestselling author of the Bridgerton series
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- 3,99 €
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- 3,99 €
Publisher Description
'Wonderful. . . whether you're a Bridgerton superfan or new to Quinn's work, you're guaranteed an uplifting, captivating read' Red
From No.1 New York Times bestselling author Julia Quinn, comes her first illustrated graphic novel. Based on story snippets that are peppered throughout a number of her novels and enjoyed by her characters who read them, this is that tale in its entirety - an irresistible treat for her fans who are in the know and pure entertainment for all others.
Born into a happy family that is tragically ravaged by smallpox, Miss Priscilla Butterworth must use her wits to survive a series of outlandish trials . . .
Cruelly separated from her beloved mother and grandmother, the young girl is sent to live with a callous aunt who forces her to work for her keep. Eventually, the clever and tenderhearted Miss Butterworth makes her escape . . . a daring journey into the unknown that unexpectedly leads her to the "mad" baron and a lifetime of love.
Delightfully illustrated by Violet Charles, and told in Julia Quinn's playful voice, Miss Butterworth and the Mad Baron is a high-spirited nineteenth-century romp that will entertain and enchant modern readers.
PUBLISHERS WEEKLY
Based on a novel-within-a-novel from Quinn's blockbuster Bridgerton series, this tongue-in-cheek send-up of Gothic melodrama aims for high comedy but fails to take off. Tragic heroine Priscilla Butterworth wanders through outlandish misadventures before landing at the manor of the reputedly mad Lord Savagewood. Fibbing her way into a position as lady's companion to Savagewood's grandmother, Miss Butterworth piques the brooding lord's interest and uncovers a plot against his life. The characters' outlandish travails include rampaging wild boars, lightning strikes, cannibalism, drug-addled pigeons, and murder attempts straight out of a Wile E. Coyote cartoon. All of which ought to be funny, but the characters are caricatures, the plot jumps around too wildly to follow, and the manic artwork doesn't fit the period. The characters are inconsistently drawn big-eyed lumps, a choice likely to disappoint Bridgerton fans who expect well-lit beauty and elegance along with humor, and the barely sketched-in backgrounds don't give much impression of the era, either. There's plenty of fodder for graphic novel adaptations in the Bridgerton universe, but this feels rushed and lacks a firm grasp on the dynamics of visual storytelling.