New Bodies for Old New Bodies for Old

New Bodies for Old

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Publisher Description

The first Sunday in June was drawing to a close. The shadow of the motor-car was fleeting on ahead of me and getting longer every moment.

Ever since the morning, people had been looking at me with anxious faces as I passed, just as one looks at a scene in a melodrama. With my leather helmet which gave me the look of a bald skull, my glasses like port-holes, or the eye-sockets of a skeleton, and my body clothed in tanned skin, I must have seemed to them some queer seal from the nether regions, or one of St. Anthony’s demons, fleeing from the sunlight towards the night, in order to enter therein.

And to tell the truth, I had almost a soul like that of one of the Lost; for such is the soul of a solitary traveler who has been for seven hours at a stretch on a racing-car. His spirit has something like a nightmare in it; in place of thought, an obsession is settled there. Mine was a little peremptory phrase—“Come alone, and give notice”—which, like a tenacious goblin, worried my lonely mind, overstrained as it was with joltings and speed.

And yet this strange injunction “come alone and give notice,” doubly underlined by my Uncle Lerne in his letter, had not at first struck me excessively. But now that I was obeying it—being alone and having given notice—and rolling along towards the Castle of Fonval, the inexplicable command insisted, so to speak, on displaying all its strangeness. My eyes began to see the fateful expression everywhere, and my ears made it sound in every noise in spite of my efforts to drive away the fixed idea. If I wanted to know the name of a village, the sign-post announced “Come alone”; “Give notice” followed in the wake of a bird’s flight, and the engine, unresting and exasperating, repeated thousands and thousands of times: “Come alone, come alone, come alone, give notice, give notice, give notice.” Then I began to ask myself the wherefore of this wish of my uncle, and not being able to find the reason, I ardently longed for the arrival which should solve the mystery, less curious in reality about the doubtless commonplace answer, than exasperated by so despotic a question.

Fortunately I was drawing near, and the country growing more and more familiar spoke so clearly of the old days, that the haunting question relaxed its insistence. The town of Nanthel, populous and busy, detained me, but on coming out of the suburbs I at last perceived, like a vague and very distant cloud, the heights of the Ardennes Mountains.

Evening draws on. Desiring to reach the goal before night I open out to the full. The car hums, and under it the road is engulfed in a whirl; it seems to enter the car to be rolled up in it, as the yards of ribbon roll themselves up on a reel. Speed makes its hurricane wind whistle in my ears; a swarm of mosquitoes riddle my face like small shot, and all sorts of little creatures patter on my goggles.

Now the sun is on my right; it is on the horizon; the acclivities and declivities of the road, raising me up and sinking me down very quickly, make the sun rise and set for me several times in succession. It disappears. I dash through the dusk as hard as my brave engine can go—and I fancy that the 234 XY has never been excelled. This makes the Ardennes about half an hour away. The cloudy offing is already putting on a green tinge, a forest color, and my heart has leapt within me. Fifteen years! I have not seen those dear great woods for fifteen years—they were my old holiday friends.

For it is there, it is in their shadow that the château hides in the depths of an enormous hollow.... I remember that hollow very distinctly and I can already distinguish its whereabouts—a dark stain indicates it. Indeed it is the most extraordinary ravine. My late aunt, Lidivine Lerne, who was fond of legends, would have it that Satan, furious at some disappointment, had scooped it out with a single blow of his gigantic hoof. This origin is disputed. In any case the metaphor gives a vivid picture of the place, an amphitheater with precipitous walls of rock, with no other outlet than a large defile opening on the fields. The plain in other words penetrates into the mountain like a gulf of the sea; it there forms a blind-alley, the perpendicular walls of which rise as it spreads, and whose end is rounded off in a wide sweep. The result is that one gets to Fonval without the least climb, although it is right in the bosom of the mountain. The park is the inner part of the circle, and the cliff serves as a natural wall, except in the direction of the defile. This latter is separated from the domain by a wall into which a gateway has been let. A long avenue leads up to it, straight, and lined with lime trees. In a few minutes I shall be in it ... and soon after I shall know why nobody must follow me to Fonval—“come alone and give notice”—why these orders?

Patience. The mass of the Ardennes cleaves itself into clumps. At the rate I am going, each clump seems in motion; gliding rapidly; the crests pass one behind the other, draw near or draw off, seem lower and then rise again with the majesty of waves, and the spectacle is incessantly varying like that of a titanic sea.

A turn in the road unmasks a hamlet, I know it well. In the old days, every year, in the month of August, it was before that station that my uncle’s carriage, with Biribi in the shafts, awaited my mother and me. We used to go there for the holidays. All hail Grey-l’Abbaye! Fonval is only three kilometers distant now. I could go there blindfold. Here is the road leading straight to the place, the road which will soon plunge into the woods and take the name of Avenue.

GENRE
Fiction & Literature
RELEASED
2019
30 May
LANGUAGE
EN
English
LENGTH
257
Pages
PUBLISHER
Library of Alexandria
SIZE
634.7
KB

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