Once a Pulp Man: The Secret Life of Judson P. Philips as Hugh Pentecost
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- 5,99 €
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- 5,99 €
Publisher Description
Judson P. Philips rubbed elbows with movie stars and directors. He owned a newspaper and scratched out columns in others. He penned hundreds of stories in pulp magazines, digests and slick magazines, under a trio of pen names. His words flooded radio, television and film. He faced down Newsweek editors, owned an equity summer stock theater and boosted many ingénues to fame.
He filled pulp magazines like Argosy with stories about tough detectives, smooth-talking criminals, and down-and-out athletes who make Rocky-like comebacks. As "Hugh Pentecost," he graduated into the lucrative slick-paper magazines and burgeoning paperback mystery field.
Despite awards and financial gain, he deemed himself a failure—His famous “Hugh Pentecost” penname came at a price, and five marriages cost him more in emotional capital. Once a Pulp Man: The Secret Life of Judson Philips as Hugh Pentecost unveils the man who sneered at Yul Brynner, ignored McCarthyism, proposed to dozens of women, and created a lasting legacy of entertainment.
Audrey Parente established her credentials with author biographies like Pulpmaster: The Theodore Roscoe Story and Pulp Man's Odyessey: The Hugh B. Cave Story. A retired reporter for the Daytona Beach New Journal, she spents years preparing this volume, researching Philip's background, compiling a complete bibliography, and transcribing hours of interviews she conducted with Philips in the late 1980s.
PUBLISHERS WEEKLY
Only fans of Judson S. Philips (1903 1989), the author of crafty fair-play whodunits featuring New York City hotel manager Pierre Chambrun, will have much interest in Parente's uneven, sometimes repetitive biography, which doesn't attempt to be an objective treatment of its subject. MWA Grand Master Philips wrote hundreds of short stories, novellas, and serialized stories for pulp magazines such as Argosy and Black Mask, as well as radio scripts both under his own name and as Pentecost, although he kept that alias a secret for more than a decade. Parente (Pulp Noir), who worked for Philips as an assistant when he ran a summer stock theater in Connecticut, views him as a "creative, prolific, humorous, cheerful, cynical, flirtatious dynamo." She interviewed him extensively and used his recollections, supplemented by her own memories and other interviews, to recreate his life story. Readers should be prepared for some awkward prose ("When I got to Judson Philips' home, I stood only 5-foot-2, my hair was long and blonde").
