Radiohead
Music for a Global Future
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- 39,99 €
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- 39,99 €
Publisher Description
Since Radiohead’s formation in the mid-1980s, the band has celebrated three decades of creative collaboration and achieved critical acclaim across music genres as cultural icons. Recognized not only for their musical talent and daring experimentation, Radiohead is also known for its work’s engagement with cultural and political issues. Phil Rose dissects Radiohead’s entire catalog to reveal how the music directs our attention toward themes like cyber technology, the environment, terrorism, and the inevitability of the apocalypse.
With each new album, Radiohead has sought to reinvent its sound and position in the music industry. Abandoning traditional distribution for their 2007 In Rainbows album, Radiohead experimented with a pay-what-you-want model that embraced the crowd-sourced commerce that has continued to gain prominence in modern consumer culture. In addition to chronicling the band members’ various solo projects, Rose outlines Radiohead’s political and civic activism. As the most up-to-date and thorough discussion of this landmark body of musical multimedia, Radiohead: Music for a Global Future recounts the band’s triumphs and tragedies along with their role at the forefront of adaptation both to a changing music industry and a rapidly changing world.
PUBLISHERS WEEKLY
In a straightforward, if at times lumbering, narrative, Rose (Radiohead and the Global Movement for Change) explores the career of British rock band Radiohead in exhaustive detail. Rose dives deeply into the group's musical output, highlighting lyrical themes of mass surveillance, climate change, automation, and the military-industrial complex. Rose briefly chronicles the band's birth and early days, when the members (Colin and Johnny Greenwood, Philip Selway, and Thom Yorke) met at Abingdon School in Oxford, England, in 1985 before launching into an account of their first album, Pablo Honey (1993), up through critically acclaimed records including OK Computer (1997) and Kid A (2000) and beyond. Rose offers close readings of each song on every album, illustrating the ways in which Radiohead was inspired by literary themes or political events. "Sit Down, Stand Up (Snakes and Ladders)" from Hail to the Thief (2003), for example, grows out of frontman Yorke's listening to news reports of the 1994 Rwandan genocide; the song ends with a simulation of a mass attack in which missiles are heard dropping like "raindrops." Meanwhile, "Lucky," from OK Computer, warns of the dangers of the collapse of civilization and urges people to embrace love as a way of staving off such a catastrophe. Rose's tightly packed, admiring analysis will appeal primarily to Radiohead fans. Correction: An earlier version of this review misidentified the book's author.
