The Road
A Graphic Novel Adaptation
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- 11,99 €
Publisher Description
The graphic novel adaptation of Cormac McCarthy’s Pulitzer Prize–winning postapocalyptic classic, The Road, approved and authorized by McCarthy and illustrated by acclaimed cartoonist Manu Larcenet. Now an Eisner Award winner and named a "must-read graphic novel" by Amazon.
"Superb. A suitably dark graphic treatment of McCarthy’s postapocalyptic masterpiece." (Kirkus)
The story of a nameless father and son trying to survive with their humanity intact in a postapocalyptic wasteland where Earth’s natural resources have been diminished, and some survivors are left to raise others for meat, The Road is one of Cormac McCarthy’s bleakest and most prescient novels.
This first official graphic novel adaptation of McCarthy’s work is illustrated by acclaimed French cartoonist Manu Larcenet, who ably transforms the world depicted by McCarthy’s spare and brutal prose into stark ink drawings that add an additional layer to this haunting tale of family love and human perseverance.
Dedicated to his son, John Francis McCarthy, McCarthy’s The Road is one of his most personal novels. Ranked 17th on The Guardian’s 100 Best Novels of the 21st century, it was the recipient of the Pulitzer Prize for literature, and the James Tait Black Memorial Award, the Believer Award, and it was nominated for the National Book Critics Circle Award.
Cormac McCarthy personally approved the making of this book before his death, and the adaptation bears the approval of the McCarthy estate.
PUBLISHERS WEEKLY
French cartoonist Larcenet (Ordinary Victories) captures the darkness and harsh beauty of McCarthy's novel in this elegiac adaptation. As in the original, an unnamed man and his son travel through a chilly postapocalyptic world where society and life itself seem to be disintegrating. They scavenge for supplies they can carry in an old shopping cart and avoid other people as much as possible, as their road is littered with marauders, cannibals, and thieves. "Are we still the good guys?" the boy repeatedly asks, but as the father's desperation deepens, he finds it harder to answer in the affirmative. Larcenet's tactile inks, gently tinted in sepia tones, lend the tale the feel of old photographs or woodcuts. He strips the dialogue down to the bare bones and tells the story through images: vast decayed landscapes, close-ups on weathered faces, and lingering shots of roadside corpses and now-meaningless billboard ads and product packaging. The back matter includes Larcenet's letter asking McCarthy for permission to adapt the novel, where he promises that he has "no other ambitions but to draw your words." His work bears this out, flawlessly evoking the tone of the original. It's a worthy companion to McCarthy's chilling classic.
