Impressionism: A Feminist Reading
The Gendering Of Art, Science, And Nature In The Nineteenth Century
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- USD 49.99
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- USD 49.99
Descripción editorial
An original interpretation of Impressionism and nineteenth-century art and culture by a noted feminist art historian. This book is a pioneering reading of Impressionism from a feminist perspective by a noted art historian. Norma Broude analyzes the philosophical underpinnings of landscape painting in the late nineteenth century discussing the crit
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In its own day, impressionism was described as a ``feminine'' style of painting, admired or disliked for its fluid brushwork, its emotional, subjective engagement with nature. But male 20th-century critics, according to Broude, ``regendered'' impressionism as ``masculine'' by interpreting it as a cool, detached art of optical realism largely devoid of feeling or content. Broude, art historian at the American University in Washington, D.C., views the impressionists as the direct heirs to the romantics in their desire to communicate their emotional experience and in their rebellion against a scientific establishment that assumed a ``masculine'' mantle of objectivity and reason. A weakness in her argument is that she omits extended discussion of recent scholarship that puts impressionism in a social and political context. Nevertheless, this meticulously argued, resplendently illustrated study gives us a new way of looking at the impressionist enterprise.
