The Careful Use of Compliments
An Isabel Dalhousie Novel (4)
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- USD 7.99
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- USD 7.99
Descripción editorial
ISABEL DALHOUSIE - Book 4
Nothing captures the charm of Edinburgh like the bestselling Isabel Dalhousie series of novels featuring the insatiably curious philosopher and woman detective. Whether investigating a case or a problem of philosophy, the indefatigable Isabel Dalhousie, one of fiction’s most richly developed amateur detectives, is always ready to pursue the answers to all of life’s questions, large and small.
In the fourth installment of this enchanting, beloved series, Isabel Dalhousie, who is now a mother, returns to investigate an irresistible puzzle in the art world.
Isabel Dalhousie—the nosiest and most sympathetic philosopher you are likely to meet—now has a son, Charlie, whose doting father Jamie has an intriguing idea to pose to Isabel: marriage. But Isabel wonders if Jamie is too young to be serious? And how would Cat respond? On top of these matters, the ambitious Professor Dove has seized Isabel's position as editor of the Review of Applied Ethics. However, nothing it seems can diminish Isabel's innate curiosity. And when she recognizes that two paintings attributed to a deceased artist have simultaneously appeared on the market, she can't help but think that they're forgeries. So Isabel begins an investigation and soon finds herself diverted from her musings about parenthood and onto a path of inquiry into the soul of an artist.
PUBLISHERS WEEKLY
Best known for the No. 1 Ladies Detective Agency series, bestseller Smith shows he's just as adept at exploring mysteries of the heart in his fourth book to feature Edinburgh philosopher-sleuth Isabel Dalhousie (after The Right Attitude to Rain). Isabel has recently become a mother, but she has an ambiguous relationship with her son's father, Jamie, whose attempts to formalize their connection have been unsuccessful. Their ties are further strained by Jamie's ex-girlfriend, Cat, who not only still harbors strong feelings for him but is Isabel's niece. Isabel must also deal with petty academic politics aimed at depriving her of her position as editor of the Review of Applied Ethics. Smith throws in a mystery subplot did an obscure but talented Scottish painter drown, commit suicide or fall victim to foul play? but the resolution of that plot thread is more noteworthy for its insights into Isabel's humanistic and optimistic philosophy than for any surprise twists. Once again, Smith displays his skill at illustrating subtle nuances of human nature.
