The Heroic Women of Early Indiana Methodism: An Address Delivered Before the Indiana Methodist Historical Society

The book contains the Fiction Contemporary Womens Story. The thousands of years ago, and all the little Virgils have been singing the man ever since. But who ever sings the woman? Occasionally a Debora or a Joan of Arc, a kind of a female monstrosity, comes to the front and receives recognition, but their conspicuousness is due more to the low level of their surroundings, than to their individual pre-eminence. They were out of their spheres in what gave them notoriety, and they have been so voted by universal consent through the ages. It was not specially to their credit that they successfully commanded armies, but it was to the unutterable shame of the men of their period that they had to, or let it go undone. No thanks to Betsey for killing the bear. She had to, or the bear would have killed the baby, but everlasting shame upon her worthless husband for making it necessary for her to do what he ought to have done. Betsey was out of her sphere when killing the bear, and so was the cowardly man when letting her do it. The great Virgil graciously introduces a Dido into his song, but he does it apologetically, and only because it was necessary in order to make a love story out of it, and all the little Virgils--all the writers of love stories from that day to this--have treated her in literature as if she were indispensable to point a moral or to adorn a tale, and really fit for little else--that it was her mission to love and be loved, all of which was easy enough on her part; and that, having filled this mission, she ought to be happy and die contented, and to be held in everlasting remembrance.