Once in the West
Poems
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- USD 9.99
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- USD 9.99
Descripción editorial
Intense and Intimate: A Searing Collection from an Important American Poet
"Memories mercies
mostly aren't
but there were
I swear
days
veined with grace"
One of The New York Times' 10 Favorite Poetry Books of 2014 and a National Book Critics Circle Award Finalist, Once in the West is Christian Wiman's fourth collection, plumbing the depths of "suffering of primal silence" and achieving the "rockshriek of joy." Readers will recognize Wiman's sharp characterizations, humor, and reverent rage, but there is something new here, too: moving love poems to his wife, tender glimpses of his children, and amid the onslaughts of illness and fear and failures, "a trace / of peace."
Wiman's multifaceted poems are at once spiritual and secular, metaphysical and realistic, provocative and generous. With wry humor and intelligent grief, Once in the West proves why Wiman is considered one of our country's most important contemporary poets.
PUBLISHERS WEEKLY
The first half or so of this harsh and sometimes masterful fourth outing from poet, memoirist, and editor Wiman (Every Riven Thing) might represent the best verse he has yet penned. Wiman's short lines and sometimes dense rhymes look back at his West Texas youth, at "that back-// seat, sweat-/ soaked, skin-// habited Heaven," at the "cactus song" of a high-spirited grandma, at "my hard horizonless country/ whose one road releases me like heat as I walk on." A former editor of Poetry magazine, Wiman's wide reading there perhaps helped him develop his serious, careful, and widely admired technique. He now teaches at Yale Divinity School; as the volume progresses the poems' themes gravitate toward questions of Christian faith. "I tried to cry out in the old way/ of thanksgiving, ritual lamentation, rockshriek of joy./ There was no answer. Had there ever been?" His search for religious answers twines itself tautly with reflections on his own illness, homages to poets of the past, and exemplary self-scrutiny. If these poems of anger and devotion find few immediate admirers, they are nonetheless part of a serious poet's lifelong thought about life and death, about body and soul, about memory and family, about this world and what is beyond.
