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Descripción de editorial
Fully authorized by the Margaret Mitchell estate, Rhett Butler's People is the astonishing and long-awaited novel that parallels the Great American Novel, Gone With The Wind. Twelve years in the making, the publication of Rhett Butler's People marks a major and historic cultural event.
Through the storytelling mastery of award-winning writer Donald McCaig, the life and times of the dashing Rhett Butler unfolds. Through Rhett's eyes we meet the people who shaped his larger than life personality as it sprang from Margaret Mitchell's unforgettable pages: Langston Butler, Rhett's unyielding father; Rosemary his steadfast sister; Tunis Bonneau, Rhett's best friend and a onetime slave; Belle Watling, the woman for whom Rhett cared long before he met Scarlett O'Hara at Twelve Oaks Plantation, on the fateful eve of the Civil War.
Of course there is Scarlett. Katie Scarlett O'Hara, the headstrong, passionate woman whose life is inextricably entwined with Rhett's: more like him than she cares to admit; more in love with him than she'll ever know…
Brought to vivid and authentic life by the hand of a master, Rhett Butler's People fulfills the dreams of those whose imaginations have been indelibly marked by Gone With The Wind.
Was it strictly necessary to our understanding of Gone With the Wind's dashing hero to flesh out his backstory, replay famous GWTW scenes from his perspective, and crank the plot past the original's astringent denouement? Perhaps not, but it's still a fun ride. In this authorized reimagining, Rhett, disowned son of a cruel South Carolina planter, is still a jaunty worldly-wise charmer, roguish but kind; Scarlett is still feisty, manipulative and neurotic; and the air of besieged decorum is slightly racier. (Rhett: My dear, you have jam at the corner of your mouth. Scarlett: Lick it off. ) But it says much about the author's sure feel for Margaret Mitchell's magnetic protagonists that they still beguile us. McCaig (Jacob's Ladder) broadens the canvas, giving Rhett new dueling and blockade-running adventures, and adding intriguing characters like Confederate cavalier-turned-Klansman Andrew Ravanel, a rancid version of Ashley Wilkes who romances Rhett's sister, Rosemary. He paints a richer, darker panorama of a Civil War "era South, where poor whites seethe with resentment, and slavery and racism are brutal facts of life that an instinctive gentleman like Rhett can work around but not openly challenge. McCaig thus imparts a Faulknerian tone to the saga that sharpens Mitchell's critique of Southern nostalgia without losing the epic sweep and romantic pathos. The result is an engrossing update of GWTW that fans of the original will definitely give a damn about.