The Waterless Sea
A Curious History of Mirages
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- USD 22.99
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- USD 22.99
Descripción editorial
Mirages have long astonished travelers of the sea and beguiled thirsty desert voyagers. Traditional Chinese and Japanese poetry and art depict the above-horizon, superior mirage, or fata morgana, as exhalations of clam-monsters. Indian sources relate mirages to the “thirst of gazelles,” a metaphor for the futility of desire. Starting in the late eighteenth century, mirages became a symbol in the West of Oriental despotism—a negative, but also enchanted, emblem. But the mirage motif is rarely simply condemnatory. More often, our obsession with mirages conveys a sense of escape, of fascination, of a desire to be deceived. The Waterless Sea is the first book devoted to the theories and history of mirages. Christopher Pinney navigates a sinuous pathway through a mysterious and evanescent terrain, showing how mirages have impacted politics, culture, science, and religion—and how we can continue to learn from their sublimity.
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Pinney, a College of London anthropologist and art historian, examines the phenomenon of mirages in this highbrow meditation. Pinney explains that mirages are the result of light bending as it passes through air of different temperatures and therefore different densities. He is most interested in superior mirages (those that appear above the viewer's level of vision), specifically fata morgana, often spectacular optical effects that create images of complex forms cityscapes, the famous Flying Dutchman, even faces directly above the horizon. He examines mirages as cause of frustration and disappointment, as religious metaphor for falsehood or a society on the brink, and as depiction of mythological places (as in ancient Japan, where mirages were believed to be images of the legendary island of Horai and to originate in the exhalations of enormous clam-monsters). Pinney's writing is characterized by his erudition a single paragraph might move from Edmund Burke and Liebniz to a digression on the etymology of "baroque" though his exceptional vocabulary will require many readers to keep a dictionary by their sides, and he's capable of abstractions that obscure rather than enlighten. But readers curious about the natural world will find this rumination of interest. Illus.
