What We Can Know
The new Sunday Times bestseller from the author of Atonement
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- USD 12.99
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- USD 12.99
Descripción editorial
The breathtaking new novel from Ian McEwan
‘A thumping literary mystery’ Independent
‘A gripping page-turner’ Observer
‘A beautiful novel, full of wisdom and heart. I loved it’ Elif Shafak
2014: A poem is read aloud once then vanishes without a trace.
2119: A century later, the seas have risen and the world is under water. Those who remain are haunted by what’s been lost – and what might still be found.
When university scholar Tom Metcalfe stumbles across a clue that may lead to the great lost poem, he reveals a story of entangled love and a brutal crime that challenges everything he thought he knew about the past…
READERS LOVE WHAT WE CAN KNOW:
‘Fantastic…a book I will treasure forever’
‘Brilliant, gripping, fascinating’
‘Makes you question everything you think you know’
‘A beautiful exploration of memory and love’
‘What a book. Utterly absorbing’
‘Rewarding and thought-provoking’ Financial Times
‘A master storyteller’ The Times
‘It gave me so much pleasure’ New York Times
‘Haunting, playful and ultimately hopeful… A wonderful book’ Kaliane Bradley
*A BOOK OF THE YEAR for the Sunday Times, Guardian, New York Times, New Statesman, Spectator, New Yorker, i Paper and Barack Obama*
PUBLISHERS WEEKLY
In the deeply intelligent and endlessly supple latest from McEwan (Lessons), a pair of scholars look back on the present day from a future Britain radically transformed by climate change. By 2119, England has become an archipelago. At the Bodlein Library, which has been moved to higher ground, Thomas Metcalfe fixates on the lore behind an unpublished but legendary poem by the renowned Francis Blundy, a series of sonnets said to have been written for his wife, Vivien, but which was only ever seen and heard by those who attended a dinner party with the couple in 2014. In the years since, the mystery of the poem sparked public fascination with its purported depiction of enduring love. Thomas, self-appointed "biographer of the reputation of an unread poem," pores over vast electronic archives and bonds with Rose Church, a historian and colleague of his at the University of the South Downs, over their shared interest in the period and their anguish that the climate disaster was allowed to happen (both attract ire from students for their "anger and nostalgia"). The pair marry, but they hit a rough patch caused by Thomas's all-consuming devotion to his work. Meanwhile, an archivist leads Thomas to a revelation from Vivian's diary that overhauls everything he thought he knew about the poem and the dinner. The novel keenly brings to life a post–climate change world and conveys the struggle of humanities scholars to prove the value of their work. McEwan is in top form.
