Written In Red
A Novel of the Others
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- USD 4.99
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- USD 4.99
Descripción editorial
Enter the world of the Others in the first novel in New York Times bestselling author Anne Bishop’s thrilling fantasy series: a place where unearthly entities—vampires and shape-shifters among them—rule the Earth and prey on the human race.
As a cassandra sangue, or blood prophet, Meg Corbyn can see the future when her skin is cut—a gift that feels more like a curse. Meg’s Controller keeps her enslaved so he can have full access to her visions. But when she escapes, the only safe place Meg can hide is at the Lakeside Courtyard—a business district operated by the Others.
Shape-shifter Simon Wolfgard is reluctant to hire the stranger who inquires about the Human Liaison job. First, he senses she’s keeping a secret, and second, she doesn’t smell like human prey. Yet a stronger instinct propels him to give Meg the job. And when he learns the truth about Meg and that she’s wanted by the government, he’ll have to decide if she’s worth the fight between humans and the Others that will surely follow.
PUBLISHERS WEEKLY
Bishop (the Black Jewels series) wraps a generally by-the-numbers urban fantasy in ill-conceived world-building. In this alternate universe, Native Americans have been entirely erased; instead, the natives of Thaisia (the continent analogous to North America) are Others, monstrous paranormal beings like vampires and werewolves. Despite the Others seeing humans as "meat" and brutally maintaining ownership of the continent, human settlements feel just like present-day small towns. Meg Corbyn, a human with precognitive gifts, escapes human slavers and finds sanctuary in a town's Courtyard, the Others-only section where human law doesn't apply. She gets a job working for shifter Simon Wolfgard, who's puzzled because she doesn't smell like prey, and befriends a number of other Others. Meanwhile, Asia Crane, an actress spying on the Others for the chance to get her own TV show, brings potential trouble for Meg and her new protectors. The offensive setup does nothing to enhance the familiar special-snowflake heroine's journey of self-discovery and implausible romance.
