The Double
A Literary Doppelgänger Thriller
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- HUF2,990.00
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- HUF2,990.00
Publisher Description
Watching a rented video, Tertuliano Maximo Afonso is shocked to notice that one of the actors is identical to him in every physical detail.
What begins as curiosity quickly hardens into obsession. Tertuliano tracks down his double, only to find a man whose existence destabilises his own identity entirely.
Saramago's novel explores the nature of individuality and examines the fear and insecurity that arise when our singularity comes under threat. For in this tense psychological literary thriller, the discovery of a double does not divide one life into two, it reveals that it was never singular to begin with.
PUBLISHERS WEEKLY
The double motif, which has fascinated authors as diverse as Poe, Dostoyevski and Nabokov, is revived in this surprisingly listless novel by Portuguese master Saramago. Tertuliano M ximo Afonso is a history teacher in an unnamed metropolis (presumably Lisbon). Middle-aged, divorced and in a relationship with a woman, Maria da Paz, he is bored with life. On the suggestion of a colleague, one night M ximo watches a video that changes everything. The video itself is a forgettable comedy, but the actor who plays the minor role of hotel clerk (so minor he isn't listed in the credits) is Afonso's physical double. Soon Afonso is feverishly renting videos, trying to find the actor's name, while hiding his project from his suspicious colleague, his lover and his mother. Finally tracking the man down, he suggests a meeting. The actor, a rather sleazy fellow, resents Afonso's presence, as if his identical appearance were a sort of ontological theft. Soon the two are in a competition that involves sex and power. Narrating in his usual long, rambling sentences, Saramago suspends his characters and their actions in fussy authorial asides. Afonso has several hokey "dialogues" with "common sense"; his situation, which might be the germ for an excellent short story, is stretched out far beyond the length it deserves. This semi-allegory is certainly not one of Saramago's more noteworthy offerings.
