What Happens at Night
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- HUF5,490.00
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- HUF5,490.00
Publisher Description
A couple find themselves at a fading, grand European hotel full of eccentric and sometimes unsettling patrons in this "faultlessly elegant and quietly menacing" allegorical story that examines the significance of shifting desires and the uncertainty of reality (Garth Greenwell, author of Cleanness).
An American couple travel to a strange, snowy European city to adopt a baby, who they hope will resurrect their failing marriage. This difficult journey leaves the wife, who is struggling with cancer, desperately weak, and her husband worries that her apparent illness will prevent the orphanage from releasing their child.
The couple check into the cavernous and eerily deserted Borgarfjaroasysla Grand Imperial Hotel where the bar is always open and the restaurant serves thirteen–course dinners from centuries past. Their attempt to claim their baby is both helped and hampered by the people they encounter: an ancient, flamboyant chanteuse, a debauched businessman, an enigmatic faith healer, and a stoic bartender who dispenses an addictive, lichen–flavored schnapps. Nothing is as it seems in this mysterious, frozen world, and the longer the couple endure the punishing cold the less they seem to know about their marriage, themselves, and life itself.
What Happens at Night is a "masterpiece" (Edmund White) poised on the cusp of reality, told by "an elegantly acute and mysteriously beguiling writer" (Richard Eder, The Boston Globe).
PUBLISHERS WEEKLY
In this dreamlike, resonant fable, Cameron (Coral Glynn) depicts a pair of lost souls who travel to the edge of the world. Two unnamed New Yorkers in a frosty marriage disembark from a train in Borgarfjaroasysla, a fictional, far-northern European city, and check into the elegant Grand Imperial Hotel. The childless couple has come to the wintry land to adopt a baby boy from an orphanage, and they're baffled, frustrated, and occasionally comforted by the city's inhabitants as they endure delays with the adoption. There's a mannered quality to the pervasive strangeness (a receptionist maintains an "impassive, unseeing attitude"; long dark days end before they begin), and the occasionally solemn dialogue doesn't help ("I know what I've become. How I am. What I am"), but generally Cameron doles out the right amount of eeriness and eccentricity. Livia Pinheiro-Rima, a bighearted lounge singer and pathological liar who looks after the adrift couple, is particularly memorable. Less convincing is the portrait of a local healer, Brother Emmanuel, whose mystic aura inspires the wife with hopes of recovery from her cancer. A torpor hangs over the events and protagonists, who respond passively to the bizarre world around them. While the idiosyncratic setting can sometimes serve as a foil for the couple, their response makes Cameron's admirable tale emotionally affecting.
