A Lucky Man
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- €6.49
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- €6.49
Publisher Description
'Full of subtle poignancy ... each story is a trenchant exploration of race and class, vividly conveying the tension between social codes of masculinity and the vulnerable, volatile self' New Yorker
A National Book Award Finalist
'Comfort' has been longlisted for the 2021 Sunday Times Audible Short Story Award
In the nine unforgettable stories of A Lucky Man, Jamel Brinkley explores the unseen tenderness of black men and boys: the struggle to love and be loved, the invisible ties of family and friendship, and the inescapable forces of race, class and masculinity.
A teen intent on proving himself a man at an all-night rave is preoccupied by watching out for his impressionable younger brother. A pair of young men who follow two girls home from a party face the uncomfortable truth of their desires. An imaginative boy from the inner city goes swimming in the suburbs, and faces the effects of privilege in ways he can barely grasp. And at a capoeira conference, two brothers grapple with their painful family history.
Moving, lyrical and keen-eyed, A Lucky Man captures the inner lives of men and boys caught between hope and expectation, duty and desire.
PUBLISHERS WEEKLY
The nine stories in Brinkley's promising debut address persistent issues of race, class, and masculinity across three decades of New York City's history, from Manhattan's corporatization in the mid-'90s to the outer boroughs' gentrification today. In "No More Than a Bubble," two black Columbia undergrads crash a house party in Brooklyn, where they pair off with two older women with confounding, less-than-successful results. An imaginative young man finds his expectations of upper-middle-class life dashed during a day trip to the suburbs in "I Happy Am," while a former convict reconnects with a dead buddy's girlfriend in "A Family." The title story and "Clifton's Place" are the collection's two most successful stories, the latter conveying the particular sadness of older African-Americans left adrift by market forces and "revitalization." Other entries, in plot and in prose, can feel too polite and mannered to register as memorable, nodding toward a stylistic exuberance and transgressive edge that never fully appear. Nonetheless, Brinkley's stories offer penetrating perspectives and stirring tragedies.
