Allah's Torch
A Report from Behind the Scenes in Asia's War on Terror
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- €7.49
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- €7.49
Publisher Description
On the front–lines with the building of Al Queda forces in Indonesia both before and after 9/11, written in provocative style by the former Asia bureau chief for Newsweek International.
In Allah's Torch, National Geographic's Tracy Dahlby takes readers into the sprawling, porous, virtually lawless domain of Indonesia, where overlapping lines of radical Islamic rage are now converging in Asia, posing new threats to Westerners at home and abroad.
From the moment the adventure begins, the night the author blunders on board an Indonesian passenger ship with 600 Islamic warriors on an anti–Christian jihad, readers glimpse the passions, politics and personalities fuelling radical Islam's relentless march. We listen as Koran–thumping preachers, hardened holy warriors and fresh–faced recruits, police investigators, military commandos, and spies try to make sense of the epidemic chaos that threatens the region – and now the world beyond.
Based on reporting both before and after September 11, Allah's Torch is an action–packed and thought–provoking narrative that enables readers to see the face of Islamic terror more clearly and assess the threat for themselves.
PUBLISHERS WEEKLY
Vast, vital and incredibly diverse economically, socially, ethnically and religiously, the Republic of Indonesia has been hit hard by successive dictatorships, the East Asian recession and religious militants. Dahlby, former Newsweek and Washington Post bureau chief, begins his journalistic account of his pre- and post-9/11 travels there with a study of religious conflict in the Moluccas in 1999. A reluctant interisland passenger along with several hundred Islamic jihadis, he meets a Moluccan elder statesman and his savvy daughter. On a later trip, he finds the country suffering from the aftereffects of 9/11 and American pressure to deal with what is inaccurately perceived as a monolithic jihadist movement Indonesia's Islam, and its militant factions, are no more monolithic than any other aspect of the country. While he gives short history lessons (on Indonesia's Dutch colonial period, for instance) and cuts to larger current political debates during his journeys, Dahlby stays closer to his own feelings and the logistics of his trips than many readers will want: his style is sometimes positively chatty; he draws on his own politics freely in interpreting his experiences. Yet the writing has a strong visual quality and vividly drawn players given the desperate shortage of popular material on Indonesia, this title helps fill the information gap.
