Come and Get It
One of 2024's hottest reads – chosen for Fearne Cotton's Happy Place Book Club
-
-
2.0 • 2 Ratings
-
-
- €8.99
Publisher Description
THE UNMISSABLE NEW NOVEL FROM THE AUTHOR OF BESTSELLING PHENOMENON SUCH A FUN AGE
'I couldn't put it down, and I didn't want to either' EMILY HENRY
'The drama is just too juicy – how could anyone resist a binge?' GUARDIAN
'Razor-sharp … Packs a huge emotional punch' DAILY MAIL
Everything comes at a price. But not everything can be paid for…
Millie is a college student, determined to graduate, get a job and buy a house. Agatha is a visiting professor, researching attitudes towards weddings and money for her new book. The thing is, in Millie's world, the best material is unfolding behind closed doors.
When Agatha offers Millie an unusual opportunity to make some extra money, the two women find themselves embroiled in a world of vengeful pranks, illicit intrigue and bad behaviour. But how much of themselves are they willing to trade to get what they want?
'Smart, funny and perceptive' i
'A perfect read' STYLIST
'Wonderfully immersive, propulsive and beautifully paced' PAUL HARDING
'Quiet and intense … A joy to read' JESSICA GEORGE
'Witty and nuanced' RED
'[An] incisive novel everyone will be talking about' TOWN AND COUNTRY
*A 2024 Book of the Year for the Washington Post, New Yorker, Elle, Vulture and Harper's Bazaar *
* THE INSTANT NEW YORK TIMES BESTSELLER *
* FEARNE COTTON'S HAPPY PLACE BOOK CLUB PICK FOR FEBRUARY *
APPLE BOOKS REVIEW
The lives of a visiting professor, a group of entitled scholarship students and their dormitory’s resident advisor collide and overlap until the friction triggers a combustion in the provocative new fiction from bestseller Kiley Reid. The action takes place in Fayetteville, and centres around the relationship between Agatha Paul, a creative non-fiction writer combining a teaching post at the University of Arkansas with research for a book on weddings and Millie Cousins, a 24-year-old marketing student and resident advisor who allows Agatha to eavesdrop on the students living in the dorm room adjoining her own. Although the unsympathetic renderings of Tyler—the de facto queen bee of the dorm room she shares with passive pedant, Peyton and coddled loner, Kennedy—and her friends Casey and Jenna make the young women villains on paper, the real bad behaviour comes from the adults in the story who really ought to know better. When the execution of a childish prank sets the main players at odds, it’s a tension-loaded countdown to the moment disaster strikes with almost resigned inevitability. Flipping between timelines, Reid injects context to inform the present-day actions and motives of her protagonists: the foundational weaknesses in Agatha’s relationship with her estranged wife, Millie’s desire for financial stability, the traumatising incident which ruptures Kennedy’s aspirations of young adulthood before it has really begun. The climactic final chapters dole out just desserts, but the moral ambiguity of each character puts the responsibility of answering the question of who is deserving and of what in the hands of the reader.