Darling Girls
A heart-pounding suspense novel about sisters, secrets, love and murder that will keep you turning the pages
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- €5.99
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- €5.99
Publisher Description
A thrilling page-turner about sisterhood, secrets, love and murder by Sally Hepworth, the New York Times bestselling author of The Soulmate and The Mother-in-Law.
It’s not just secrets buried at Wild Meadows.
For as long as they can remember, Jessica, Norah and Alicia have been told how lucky they are. Rescued from their own family tragedies, they were raised by a loving foster mother on an idyllic farming estate and given an elusive second chance for a happy family life.
But the girls’ childhood wasn’t quite the fairy tale everyone thinks it was. And when a body is discovered under the home they grew up in, the three foster sisters find themselves thrust into the spotlight as key witnesses.
It’s time for them to return home as adults. The only question is are they innocent victims or the prime suspects for murder?
With darkly comic timing and insidiously twisting plots, Sally Hepworth’s novels are guaranteed to keep you turning the pages . . .
Authors love Sally Hepworth:
'Completely compulsive' - Jane Harper
'Women’s fiction at its finest' - Liane Moriarty
'Smart suspenseful, brimming with secrets' - Kate Morton
'Clever, chilling and beautifully crafted’ - Adele Parks
Reviewers love Sally Hepworth:
'Very sensitively told' - Daily Mail
'Compels from the first page' - Heat
'Stunningly clever' - People
Readers love Sally Hepworth:
***** 'I absolutely loved it and couldn't put it down!'
***** 'Twists and turns from start to finish!!'
***** 'Suspenseful, and twisty, the most fantastically compulsive reading'
***** 'I was gripped from start to finish and I literally couldn’t turn the pages fast enough'
PUBLISHERS WEEKLY
Australia's broken foster care system comes into focus through the eyes of three women who've endured it in this bleak domestic thriller from bestseller Hepworth (The Soulmate). Jessica Lovat is a professional home organizer with obsessive tendencies; Norah Anderson takes other people's employment competency tests for money and struggles with anger issues; and social worker Alicia Connelly's low self-esteem keeps her locked away from the world. Though not blood-related, the trio call themselves "sisters" since living together at Wild Meadows Farm under the watch of their abusive foster mother, Holly Fairchild. Now, 25 years later, Wild Meadows has been sold, leading to the discovery of human remains buried under the farmhouse, and authorities bring Jessica, Norah, and Alicia from Melbourne to the crime scene in Port Agatha for questioning. Hepworth toggles viewpoints and timelines, revealing how each girl was placed at Wild Meadows and showcasing Holly's erratic—possibly even murderous—behavior. While Hepworth's vivid prose helps to maintain the plot's momentum, the unrelenting descriptions of child abuse grow grim and tiresome, and the payoff to the core mystery is deflating. Hepworth has done much better in the past.
