From The Dead
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- €4.49
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- €4.49
Publisher Description
The ninth book in the Tom Thorne series, from bestselling author Mark Billingham.
It has been a decade since Alan Langford's charred remains were discovered in his burnt-out car. His wife Donna was found guilty of conspiracy to murder her husband and served ten years in prison.
But just before she is released, Donna receives a nasty shock: an anonymous letter containing a photo of her husband. The man she hates with every fibre of her being - the man she paid to have murdered - seems very much alive and well.
How is it possible that her husband is still alive? Where is he? Who sent the photo, and why?
DI Tom Thorne becomes involved in a case where nothing and no one are what they seem. It will take him much further from his London beat than he has ever been before - and closer to a killer who will do anything to protect his new life.
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The outstanding new Tom Thorne thriller, THEIR LITTLE SECRET, is out now!
PUBLISHERS WEEKLY
In a variation on the serial killer theme, newcomer Billingham's villain doesn't want to actually kill his victims (those who do die he considers "mistakes") so much as induce massive strokes that will leave them cerebrally conscious while otherwise in a completely comatose state known as "locked-in syndrome." Combining elements of both police and medical procedural thriller, the novel follows frayed, middle-aged London detective inspector Tom Thorne as he chases down a series of red herrings, gradually becoming more and more obsessed with the killer's "masterpiece," 24-year-old Alison Willetts, and the seductive doctor, Anne Coburn, who cares for her. This romantic subplot becomes entwined with the main plot as Anne's colleague and paramour, Dr. Jeremy Bishop (whose amusement with Thorne's growing infatuation with Anne reveals a particular sort of passive-aggressive sadism), fuels Thorne's rising suspicion of him with verbal jousts. Billingham, a TV writer and stand-up comic, manifests a competent enough hand with plotting and dialogue, particularly at romantic moments ("Now, this carpet has unhappy memories and I'm still not hundred percent sure I've got the smell of vomit out of it..." "You smooth-talking bastard"). Overall, he displays a solid grasp of the form, though not at the gut-wrenching level of such peers as Mo Hayder. Billingham excels in characterization, however, and it's likely that readers will develop empathy for his conflicted protagonist and the compassionate physician who takes justice into her own hands.
