God Don't Play
-
- €7.99
Publisher Description
From New York Times bestselling author Mary Monroe comes the story of two lifelong friends, their secrets and lies, and the new challenge that may divide them once and for all. . .
With a lovely home and family, Annette Goode finally has it all. Heaven knows she paid her dues--from an abusive childhood to a rocky start as an adult. Annette's friend Rhoda knows too, for Rhoda has been both her savior and her greatest fear. Their relationship has survived some serious shake-ups. But now that things are good, someone apparently thinks they're a little too good. . .
When Annette receives an anonymous--and menacing--birthday gift, it's just the beginning of a slew of hostile letters, vicious phone calls, and vile packages from a female who is obviously disguising her voice. Comforted by Rhoda and Rhoda's teenage daughter, Jade, Annette hopes the problem will somehow disappear. But when the threats extend to her child, Annette realizes the situation is dire. For soon her tormentor reveals exactly what she wants--and how it could destroy everything Annette has built. . .
Praise for Mary Monroe
"Reminiscent of Zora Neale Hurston." --Publishers Weekly
"Watch out Toni Morrison, there is a new sister in town." --Rapport
PUBLISHERS WEEKLY
In this third novel in Monroe's bestselling God Don't series, Annette Goode finally has it all: a sexy husband who adores her, a beautiful young daughter, a comfy house, a good job and a perfect best friend. But why is someone suddenly sending her anonymous hate mail? As the poison pen letters and threatening phone calls become more ugly and violent, Annette takes her friend Rhoda's advice and sets out to discover and expose the culprit. Along the way, she is forced to dust off some of the skeletons in her closet including childhood poverty and sexual abuse, a brief stint turning tricks as a teenager, and being an accessory to murder. Annette also confronts gnawing insecurity: obese and unfashionable, she wonders how long she can hang onto a husband who, according to gossip from the local beauty parlor, still has his name tattooed on the buttocks of Annette's prime suspect, the town femme fatale. Monroe squeezes everything she can from this novel's melodramatic plot, but it never feels as ominous as it should, nor does the tidiness of the conclusion enhance the book's already-faint sense of verisimilitude. What was interesting about Annette is covered in the earlier books.